Next came the tableaux amid much excitement both before the curtain and behind. First of all the curtain was an erratic and whimsical affair, not to be relied on with a one-man power, so two of the older boys volunteered to stand at either end and assist it to rise and fall at the proper time in case it should fail to respond to the efforts of the official curtain raiser, Freddie Herrick. But Fred’s mind was on the next ten minutes when he was to portray the twelve-year-old schoolboy Abe, and the crank failed to work, so the curtain went up with the pulley lines instead, and showed the interior of the little cabin with Dug Moffat industriously learning to read at Jean’s knee. And a very fair, young Nancy she made too, with her dark hair arranged by Cousin Roxy in puffs over her ears, and the plain stuff gown with its white kerchief crossed in front. On the wall were stretched ’possum and squirrel pelts, and an old spinning wheel stood beside the fireplace. “You looked dear, Jean,” Helen whispered when the curtain fell. “Your eyes were just like Mother’s. Is my hair all right?” Jean gave it a few last touches, and then hurried to help with the music that went in between the scenes. The school room scene was a great success. Benches and an old desk made a good showing, with some old maps hung around, and a resurrected ancient globe of the Judge’s. Mr. Ricketts appeared in all his glory, with stock, skirted coat, and tight trousers. And Fred, lean and lanky, his black forelock dangling over his eyes as he bent over his books, made a dandy schoolboy Lincoln. So they went on, each picture showing some phase in the life of the Liberator. But the hit of the evening was Doris pleading for the life of her sentinel brother. She had said she would surely cry real tears, and she did. Kneeling beside the tall figure of the President, her little old red fringed shawl around her, she did look so woe begone and pathetic that Cousin Roxy said softly, “Land sakes, how the child does take it to heart.” Last of all came the tableau of the North and South being reunited by Columbia, and Kit looked very stern and judicial as she joined their reluctant hands, and gave the South back her red, white and blue banner. It was all surprisingly good considering how few things they had had to do with in the way of properties and scenery, but Cousin Roxy sprang a last surprise before the dancing began. Up on the platform walked three old men, Philly Weaver first, in his veteran suit, old Grandpa Bide Tucker, Abby’s grandfather, and Ezra Hicks, the “boy” of seventy. Solemn faced and self conscious they took their places, and there was the old Gilead fife and drum corps back again. “Oh, bless their dear old hearts,” cried Kit, her eyes filled with sudden tears as the old hands coaxed out “The Girl I Left Behind Me.”