necessary root of the rare flower; and he had, too, the sympathetic,
unselfish feeling which we are wont to summarise shortly as a good
heart, and which is the first essential to good manners.
When Lessing came to Berlin, about 1745, his play of _Die Juden_ was
already published, and his reputation sufficiently established to make
him an honoured guest at these little literary gatherings. Something of
affinity in the wide, unconventional, independent natures of the two
men; something, it may be, of likeness in unlikeness in their early
struggles with fate, speedily attracted Lessing and Mendelssohn to each
other. The casual acquaintance soon ripened into an intimate and
lifelong friendship, which gave to Mendelssohn, the Jew, wider knowledge
and illimitable hopes of the outer, inhospitable world--which gave to
Lessing, the Christian, new belief in long-denied virtues; and which,
best of all, gave to humanity those ‘divine lessons of Nathan der
Weise,’ as Goethe calls them--for which character Mendelssohn sat, all
unconsciously, as model, and scarcely idealised model, to his friend. It
was, most certainly, a rarely happy friendship for both, and for the
world. Lessing was the godfather of Mendelssohn’s first book. The
subject was suggested in the course of conversation between them, and a
few days after Mendelssohn brought his manuscript to Lessing. He saw no
more of it till his friend handed him the proofs and a small sum for the
copyright; and it was in this way that the _Philosophische Gespräche_
was anonymously published in 1754. Later, the friends brought out
together a little book, entitled _Pope as a Metaphysician_, and this was
followed up with some philosophical essays (‘Briefe über die
Empfindungen’) which quickly ran through three editions, and Mendelssohn
became known as an author. A year or two later, he gained the prize
which the Royal Academy of Berlin offered for the best essay on the
problem ‘Are metaphysics susceptible of mathematical demonstration?’ for
which prize Kant was one of the competitors.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account