It was not gay—this room-of-all-work—despite its over-population of
china shepherdesses with their swains and hounds and its rank growth of
dried grass in vases—all doubled and distorted by the cracked, fustily
gilt mirror on the mantelpiece—for the oaken beams of the ceiling, from
which hung a gigantic rusty key, had been plastered over, and the
walls—in a similar quest of gentility—dulled with a grey paper,
sedulously rematched when it fell to pieces; far livelier was the
staircase paper—all hearts and roses—if only you could have seen it in
the dusky windings and under the menacing bulge of the plaster ceiling.
Apart from the shepherdesses and vases, among which Jinny was not sorry
to see a growing mortality, as the Gaffer fumbled for his spectacles,
the room was not over-furnished, a small carved wooden settle by the
cavernous hearth, a small square, central table without flaps, two squat
and cushioned arm-chairs, with one prim wooden chair, and a little lamp
with a monstrous fat globe, constituting almost the minimum of
necessaries; even their united libraries, the Gaffer’s Family Bible and
Jinny’s “Peculiar Hymn-Book” and “Universal Spelling-Book,” being
constrained to repose, like the shepherdesses, on top of the chest of
drawers—that shifty piece of furniture whose mysterious recesses
secreted also the hymn-book recovered from the bushes. That article of
bigotry and virtue, hurled from him by the angry boy,
lay—long-forgotten—in the top drawer behind the rolled-up wire
mattress that uncoiled by a spring.
Yet this shabby room with its drab paper and squat furniture—vivified
most of the year only by that tireless tick of the Dutch clock from the
office, or the purring of the kettle from the kitchen—made for Jinny
the holy conception of home. The very cracks in the mirror had become
second nature; a glass that looked one squarely in the face would have
put her eye out, and if in an utterly impossible moment the Gaffer had
considerately replaced the old one, the tresses she tamed into
seemliness by it would have been a sorry sight. Here, without books or
friends, mere living was a happiness, especially at night after
Gran’fer, whose big Bible invariably turned from a table-book into a
pillow, had woke up and remarked he was getting sleepy, and been steered
up the corkscrew staircase to his bed. Then, in a silence broken by no
human sound—save the snoring of the Gaffer from above—and in a
security symbolized by the unlocked gates and doors, Jinny would sit in
delicious relaxation with her sewing or knitting or bonnet-trimming,
finding compensation for the long laborious day: listening in summer to
the late singing birds or gazing in winter at the glowing logs with
their delicate flicker of blue, while Nip in his virtuous basket snored
in harmony with the Gaffer or uttered joyous yells in his dream-hunting.
Public-domain text, read in full here on John Shaqi.
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