Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
History
Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
Grady, Henry Woodfin, 1850-1889
In opposition to this poverty, my poor hero had—first, a name
(Mortimer Pitts, Esq.) which his parents, whose noses were in
the air when they christened him, had saddled upon him
aspiringly, but which followed him through life, his condition
being put in contrast with its rich syllables, as a sort of
standing sarcasm. Second, a multitude of tow-headed children
with shallow-blue eyes. The rag-picker never looked above the
tow-heads of his brats, nor beyond the faded blue eyes of his
wife. His world was very small. The cricket that chirped beneath
the hearthstone of the hovel in which he might chance to live,
and the sunshine that crept through the cracks, filled it with
music and light. Trouble only strengthened the bonds of love and
sympathy that held the little brood together, and whenever the
Wolf showed his gaunt form at the door, the white faces, and the
blue eyes, and the tow-heads only huddled the closer to each
other, until, in very shame, the intruder would take himself
off.
Mr. Pitts had no home. With the restlessness of an Arab he
flitted from one part of the city to another. He was famous for
frightening the early market-maids by pushing his white round
face, usually set in a circle of smaller white round faces,
through the windows of long-deserted hovels. Wherever there was
a miserable shell of a house that whistled when the wind blew,
and wept when the rain fell, there you might be sure of finding
Mr. Pitts at one time or another. I do not care to state how
many times my hero, with an uncertain step and a pitifully
wandering look—his fertile wife, in remote or imminent process
of fruitage—his wan and sedate brood of young ones—his cow, a
thoroughly conscientious creature, who passed her scanty diet to
milk to the woeful neglect of tissue—and his dog, too honest for
any foolish pride, ambling along in an unpretending,
bench-legged sort of way,—I do not care to state, I say, how
many times this pale and melancholy procession passed through
the streets, seeking for a shelter in which it might hide its
wretchedness and ward off the storms.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account