Such a pathetic travesty on house-building was never before seen. It started a smile or a tear from every passer-by, as it reared its homely head there, so patched, uncouth, and poor. And yet the sun of Austerlitz never brought so much happiness to the heart of Napoleon as came to Mr. Pitts, as he crept into this hovel, and, having a blanket before the doorless door, dropped on his knees and thanked God that at last he had found a home. The house grew in a slow and tedious way. It ripened with the seasons. It budded in the restless and rosy spring; unfolded and developed in the long summer; took shape and fullness in the brown autumn; and stood ready for the snows and frost when winter had come. It represented a year of heroism, desperation, and high resolve. It was the sum total of an ambition that, planted in the breast of a king, would have shaken the world. To say that Mr. Pitts enjoyed it would be to speak but a little of the truth. I have a suspicion that the older children do not appreciate it as they should. They have a way, when they see a stranger examining their home with curious and inquiring eyes, of dodging away from the door shamefacedly, and of reappearing cautiously at the window. But Mr. Pitts is proud of it. There is no foolishness about him. He sits on his front piazza, which, I regret to say, is simply a plank resting on two barrels, and smokes his pipe with the serenity of a king; and when a stroller eyes his queer little home curiously, he puts on the air that the Egyptian gentleman (now deceased) who built the pyramids might have worn while exhibiting that stupendous work. I have watched him hours at a time enjoying his house. I have seen him walk around it slowly, tapping it critically with his knife, as if to ascertain its state of ripeness, or pressing its corners solemnly as if testing its muscular development. Here ends this fragment—a delicious bit of description that only seems to be exaggerated because the hovel was seen through the eyes of a poet—of a poet who loved all his fellow men from the greatest to the smallest, and who was as much interested in the home-making of Mr. Pitts as he was in the making of Governors and Senators, a business in which he afterwards became an adept. From the fragments of one of his lectures, the title of which I am unable to give, I have pieced together another story as characteristic of Mr. Grady as the Patchwork Palace. It is curious to see how the idea of home and of home-happiness runs through it all: