Johann Sebastian Bach: The Organist and His Works for the OrganPirro, André
History
Johann Sebastian Bach: The Organist and His Works for the Organ
Pirro, André
Bach, Johann Sebastian, 1685-1750; Composers -- Germany -- Biography
[At the time of Bach it was a frequent usage to omit an accidental
from the signature; in the above case the omission of the only flat
undoubtedly suggested the appellation frequently given "_in modo
dorico_," although otherwise the composition bears hardly a trace of
the Dorian mode. Tr.]]
III
After resigning his post at the palace in Weimar, Bach never again
occupied an official position as organist. Not that he renounced the
instrument which he so loved to play, but he was no longer obliged to
fulfil the requirements of regular service; his earlier compositions
he could gather together and correct at his ease, and finally bring
out no new ones that were not thoroughly in accordance with his
ideals.
The number of these new organ compositions also diminished in an
extraordinary degree; for from all the thirty-three years embraced in
this last period, but about twenty works exist for our study.
Although Bach no longer bore the title of organist while at Cöthen,
it must not be inferred that access to the organs of the town was
denied him; for instance, to the instrument in the _St. Agnuskirche_,
the pedal of which was unusually extended in compass. We learn, in
fact, from a work of C.F. Hartmann's,[102] published at the beginning
of this century, that the pedal of this organ was two and a half
octaves in range, extending up to _f'_[sharp][103] inclusive, while
the organs of that period usually possessed but two octaves in the
pedal, from _C_ to _c'_, with sometimes _c'_[sharp] and _d'_ in
addition.
[Footnote 102: _Geschichte der evangelisch-lutherischen St.
Agnuskirche in Köthen. Herausgegeben von C.F. Hartmann, Köthen,
in der Commission der Huschen Buchhandlung_ (1802). The organ is
described on pages 19 and 20.]
[Footnote 103: [The pedal, even of modern organs, extends upwards
only to _f'_. Since the middle of the last decade, the house of
Cavaillé-Coll in Paris, has applied to the larger instruments
constructed by it the compass of _C_ to _g'_. This range was
recommended by the translator and adopted for an organ now in process
of construction in Boston; it is also a feature of the large organ
for Yale University, recently contracted for.]]
Public-domain text, read in full here on John Shaqi.
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