John Chambers, Servant of Christ and Master of Hearts, and His Ministry in PhiladelphiaGriffis, William Elliot
Religion
John Chambers, Servant of Christ and Master of Hearts, and His Ministry in Philadelphia
Griffis, William Elliot
Chambers, John, 1797-1875
It was in 1832, the winter in which the famous English actress, Fannie
Kemball, sister of Mrs. Sartoris (whose grandson, in our day, married
Nellie, the daughter of General Grant) was starring in Philadelphia in
the old Chestnut street theatre, on the South side of Philadelphia's
most fashionable street, above Sixth. Mary had spent a winter of great
gaiety, revelling in the joys of the dance, the theatre and every sort
of worldly amusement--much to the grief of her mother, a woman of
unaffected piety, who was praying that her daughter might look less at
things perishing and more at the eternal.
Yet no message from the Unseen, sent through a human preacher, had
yet reached the ears of Mary's inner being. It was while the anxious
mother was most earnestly praying, that Mary was invited by a maiden
friend, whom she had met at a picnic and with whom she had formed
a warm friendship, to visit her and go to hear the new minister on
Thirteenth street. Mary came, and saw, and heard, and was conquered.
At the first sermon she hung spell-bound on the lips of the emotional
and electrifying young orator, who during all his ministrations had
also that peculiar unction, without which, preaching, however logical
and learned, avails little.
On coming home, after the service in the new church on Broad street,
Mary told her mother that she would never go to the theatre again; she
had heard the grandest speaker that she had ever looked upon in her
life; who outshone every actor she had ever seen, and whose message
had more charms for her than the theatre itself. Soon after this Mr.
Chambers with his wife made his first pastoral call at Mary's home.
About this time, late in the winter and toward the spring, there was
a revivalist assisting Mr. Chambers, who to eloquence and magnetic
power, added the power of the draughtsman. He was an artist in words
and with the chalk also. He drew a cross on the blackboard, and
without the element of color, but with the aid of music moved the
emotions mightily. He called upon the congregation, led by sweet
voices, to sing, "Alas! And Did My Saviour Bleed". His appeals, tender
and powerful, were responded to. Many were brought "under conviction"
and declared themselves from that time followers of Jesus Christ. On
the day that Mary united with the church, one hundred persons were
received at the communion table and into membership.
Public-domain text, read in full here on John Shaqi.
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