John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
Nevertheless, even before this last thought was completely formed in his
mind, the sight of the moving people, and of the streets of the
wonderful city opening out on every side, full of palaces and glittering
shops and stalls, and crowded with life and gaiety, turned his halting
choice back again in the opposite direction, and he thought something
like this:—
"How useless and even pitiful is the continued complaint of moralists
and divines, to whom none lend an ear, whilst they endeavour, age after
age, to check youth and pleasure, and turn the current of life and
nature backward on its course. For how many ages in this old Rome, as in
every other city, since Terence gossipped of the city life, has this
frail faulty humanity for a few hours sunned itself on warm afternoons
in sheltered walks and streets, and comforted itself into life and
pleasure, amid all its cares and toils and sins. Out of this shifting
phantasmagoria comes the sound of music, always pathetic and sometimes
gay; amid the roofs and belfries peer the foliage of the public walks,
the stage upon which, in every city, life may be studied and taken to
heart; not far from these walks is, in every city, the mimic stage, the
glass in which, in every age and climate, human life has seen itself
reflected, and has delighted, beyond all other pleasures, in pitying its
own sorrows, in learning its own story, in watching its own fantastic
developments, in foreshadowing its own fate, in smiling sadly for an
hour over the still more fleeting representation of its own fleeting
joys. For ever, without any change, the stream flows on, spite of
moralist and divine, the same as when Phaedria and Thais loved each
other in old Rome. We look back on these countless ages of city life,
cooped in narrow streets and alleys and paved walks, breathing itself in
fountained courts and shaded arcades, where youth and manhood and old
age have sought their daily sustenance not only of bread but of
happiness, and have with difficulty and toil enough found the one and
caught fleeting glimpses of the other, between the dark thunder clouds,
and under the weird, wintry sky of many a life. Within such a little
space how much life is crowded, what high hopes, how much pain! From
those high windows behind the flower-pots young girls have looked out
upon life, which their instincts told them was made for pleasure, but
which year after year convinced them was, somehow or other, given over
to pain. How can we read this endless story of humanity with any thought
of blame? How can we watch this restless quivering human life, this
ceaseless effort of a finite creature to attain to those things which
are agreeable to its created nature, alike in all countries, under all
climates and skies, and whatever change of garb or semblance the long
course of years may bring, with any other thought than that of tolerance
and pity—tolerance of every sort of city existence, pity for every kind
Public-domain text, read in full here on John Shaqi.
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