England -- Social life and customs -- 19th century -- Fiction; Short stories, English
The day was warm and beautiful; the glass-doors stood open to the sweet
summer air. Light fleecy clouds floated over the blue sky, the sun shone
on the green grass of the lawn and sparkled amidst the leaves of the
great mulberry-tree. Butterflies flitted past in pairs, chasing each
other; bees sent forth their hum as they sipped the honey-dew from the
flowers; the birds sang their love-songs on the boughs: all seemed
happiness outside, as if to mock our care within.
Tod lay back with his eyes closed: I sat on the arm of the old red sofa.
The bells of North Crabb Church rang out for morning service. It was
rather a cracked old peal, but on great occasions the ringers assembled
and did their best. The Bishop of Worcester was coming over to-day to
preach a charity sermon: and North Crabb never had anything greater than
that. Tod opened his eyes and listened in silence.
"Tod, do you know what it puts me in mind of?"
"Don't bother. It's because of the bishop, I suppose."
"I don't mean the bells. It's like the old fable, told of in 'The
Mistletoe Bough,' enacted in real life. If there were any deep chest
about the premises----"
"Hold your peace, Johnny!--unless you want to drive me mad. If we come
upon the child like _that_, I'll--I'll----"
I think he was going to say shoot himself, or something of that sort,
for he was given to random speech when put to it. But at that moment
Lena ran in dressed for church, in her white frock and straw hat with
blue ribbons. She threw her hands on Tod's knee and burst out crying.
"Joe, I don't want to go to church; I want Hugh."
Quite a spasm of pain shot across his face, but he was very tender with
her. In all my life I had never seen Tod so gentle as he had been at
moments during the last two days.
"Don't cry, pretty one," he said, pushing the fair curls from her face.
"Go to church like a good little girl; perhaps we shall have found him
by the time you come home."
"Hannah says he's lying dead somewhere."
"Hannah's nothing but a wicked woman," savagely answered Tod. "Don't you
mind her."
But Lena would not be pacified, and kept on sobbing and crying, "I want
Hugh; I want Hugh."
Mrs. Todhetley, who had come in then, drew her away and sat down with
the child on her knee, talking to her in low, soothing tones.
"Lena, dear, you know I wish you to go with Hannah to church this
morning. And you will put papa's money into the plate. See: it is a
golden sovereign. Hannah must carry it, and you shall put it in."
"Oh, mamma! will Hugh never come home again? Will he die?"
"Hush, Lena," she said, as Tod bit his lip and gave his hair a dash
backwards. "Shall I tell you something that sounds like a pretty story?"
Lena was always ready for a story, pretty or ugly, and her blue eyes
were lifted to her mother's brightly through the tears. At that moment
she looked wonderfully like the portrait on the wall.
Public-domain text, read in full here on John Shaqi.
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