Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
Rose at eight. At eleven, went to rehearsal. Mr. Keppel is just as
nervous and as imperfect as ever: what on earth will he, or shall I, do
to-night! Came home, got things out for the theatre, and sat like any
stroller stitching for dear life at my head-dress. Mr. H---- and his
nephew called: the latter asked me if I was at all apprehensive? No, by
my troth, I am not; and that not because I feel sure of success, for I
think it very probable the Yankees may like to show their critical
judgment and independence by damning me; but because, thank God, I do
not care whether they do or not: the whole thing is too loathsome to me,
for either failure or success to affect me in the least, and therefore
I feel neither nervous nor anxious about it. We dined at three: after
dinner, J---- came; he sat some time. When he was gone, I came into the
drawing-room, and found a man sitting with my father, who presented him
to me by some inaudible name. I sat down, and the gentleman pursued his
conversation as follows:--"When Clara Fisher came over, Barry wrote to
me about her, and I wrote him back word: 'My dear fellow, if your bella
donna is such as you describe, why, we'll see what we can do; we will
take her by the hand.'" This was enough for me. I jumped up, and ran out
of the room; because a newspaper writer is my aversion. At half-past
six, went to the theatre. They acted the farce of Popping the Question
first, in order, I suppose, to get the people to their places before the
play began. Poor Mr. Keppel was gasping for breath; he moved my
compassion infinitely; I consoled and comforted him all I could, gave
him some of my lemonade to swallow, for he was choking with fright; sat
myself down with my back to the audience, and up went the curtain. Owing
to the position in which I was sitting, and my plain dress, most
unheroine-like in its make and colour, the people did not know me, and
would not have known me for some time, if that stupid man had done as I
kept bidding him, gone on; but instead of doing so, he stood stock
still, looked at me, and then at the audience, whereupon the latter
caught an inkling of the truth, and gave me such a reception as I get in
Covent Garden theatre every time I act a new part. The house was very
full; all the ---- were there, and Colonel ----. Mr. Keppel was
frightened to death, and in the very second speech was quite out: it was
in vain that I prompted him; he was too nervous to take the word, and
made a complete mess of it. This happened more than once in the first
scene; and at the end of the first act, as I left the stage, I said to
D----, "It's all up with me, I can't do any thing now;" for, having to
prompt my Fazio, frightened by his fright, annoyed by his forgetting his
crossings and positions, utterly unable to work myself into any thing
like excitement, I thought the whole thing must necessarily go to
pieces. However, once rid of my encumbrance, which I am at the end of
Public-domain text, read in full here on John Shaqi.
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