"The result was precisely what I had hoped it might be. As it is myself who now tell you this tale--as you see that I _did_ escape--and as you are already in possession of the mode in which this escape was effected, and must therefore anticipate all that I have further to say, I will bring my story quickly to conclusion. It might have been an hour or thereabout after my quitting the smack, when, having descended to a vast distance beneath me, it made three or four wild gyrations in rapid succession, and bearing my loved brother with it, plunged headlong at once and forever into the chaos of foam below. The barrel to which I was attached sunk very little farther than half the distance between the bottom of the gulf and the spot at which I leaped overboard, before a great change took place in the character of the whirlpool. The slope of the sides of the vast funnel became momently less and less steep. The gyrations of the whirl grew gradually less and less violent. By degrees the froth and the rainbow disappeared, and the bottom of the gulf seemed slowly to uprise. The sky was clear, the winds had gone down, and the full moon was setting radiantly in the west, when I found myself on the surface of the ocean, in full view of the shores of Lofoden, and above the spot where the pool of the Moskoe-strom _had been_. It was the hour of the slack--but the sea still heaved in mountainous waves from the effects of the hurricane. I was borne violently into the channel of the Strom, and in a few minutes was hurried down the coast into the 'grounds' of the fishermen. A boat picked me up, exhausted from fatigue and (now that the danger was removed) speechless from the memory of its horror. Those who drew me on board were my old mates and daily companions, but they knew me no more than they would have known a traveler from the spirit-land. My hair, which had been raven-black the day before, was as white as you see it now. They say, too, that the whole expression of my countenance had changed. I told them my story--they did not believe it. I now tell it to _you_, and I can scarcely expect you to put more faith in it than did the merry fishermen of Lofoden." _A Descent into the Maelstrom_ is a remarkable example of forcible description as well as of artistic skill in the setting. I. The first third of the story is an introduction to the main tale. The story itself might seem to be sufficiently exciting, but it would have much less power if it began where the old man commences to tell the tale. Notice what Poe throws into his introduction: