Longfellow’s education was obtained in Portland and at Bowdoin College, where he had for classmates several youths who afterward became famous, notably, Nathaniel Hawthorne and Franklin Pierce. Upon Longfellow’s graduation, the trustees of the college, having decided to establish a chair of modern languages, proposed that this young graduate should fit himself for the position. Three years, therefore, he spent in delightful study and travel in France, Spain, Italy, and Germany. Here was laid the foundation for his scholarship, and, as in Irving on his first European trip, there was kindled that passion for romantic lore which followed him through life and which gave direction to much of his work. He mastered the language of each country visited, in a remarkably short time, and many of the choicer poems found in these languages he has given to us in English. After five years at Bowdoin, Longfellow was invited in 1834 to the chair of modern languages in Harvard College. Again he was given an opportunity to prepare himself by a year of study abroad. In 1836 he began his active work at Harvard and took up his residence in the historic Craigie House, overlooking the Charles River—a house in which Washington had been quartered for some months when he came to Cambridge in 1775 to take command of the Continental forces. Longfellow was thenceforth one of the most prominent members of that group of men including Sumner, Hawthorne, Agassiz, Lowell, and Holmes, who gave distinction to the Boston and Cambridge of earlier days. For twenty years Longfellow served as a teacher, introducing hundreds of students to the literature of modern Europe. In his poetry, too, he exerted a powerful influence for bringing about a relationship between America and European civilization. He was thus a poet of culture, rendering a great service at a time when the thought of America was provincial. He was also a poet of the household, writing many poems about the joys and sorrows of home life, poems of aspiration and religious faith, poems about village characters as well as about national heroes. He excels, too, as a writer of tales in verse. “Evangeline,” a story of the Acadian exiles and their wanderings; “The Courtship of Miles Standish,” a story of early colonial life in Massachusetts; and “Hiawatha,” an Indian epic into which he put a vast amount of legendary matter belonging to the first owners of our country, are examples of his power in sustained verse narrative. His ballads, such as “The Skeleton in Armor” and “The Wreck of the Hesperus,” show his power to handle a legend in brief and stirring form. He was a writer of almost perfect sonnets, and a writer of prose of distinction. The most loved and most widely known of American poets, Longfellow helped to interpret our common life in terms of beauty.