Nature is prodigal of varieties. No two individuals are alike, either in physical form or mental features. Great differences may be found even among those most resembling each other, but when we find a man prominent among his fellow-kind, it is because of marked characteristics in which he greatly differs from the rest. These characteristics are expressed in action. A record of these actions is the history of men. Faust gives us movable type, and Watt the steam-engine. Newton asks nature to reveal her mode of operation in the movement of matter. Bacon asks her for her method. Buckle inquires after the science of history. Napoleon was a magazine of war. And thus great minds reveal themselves in their own way; and the more striking and peculiar the characteristic, the more easily can we distinguish and describe the person. Mr. Paine was a literary adventurer. And unlike adventurers in conquest or discovery, he left the record of his course as he went along. His was not a path in the sea, nor foot-prints in the sand, but a work like that of Euclid or Laplace, carved out of thought; he called out of chaos a new world of politics; he fought great battles and won victories with the pen. To know the man, then, we must examine his writings. To this end, therefore, I call the reader's attention to his style. STYLE. I will first make some concise remarks upon this subject, to aid us in comparing Junius with Mr. Paine; because I propose to show that the style of the one is the style of the other. Style, by most authors, is treated under the following heads: _Perspicuity_, _Vivacity_, and _Beauty_. Perspicuity, I define, the clear and true expression of our thoughts in the fewest words. Vivacity is the energy or life of expression; it attracts the attention, and excites the imagination. It takes the will by storm and produces conviction. Combined with perspicuity it becomes eloquence. Beauty is the harmony and smoothness of of expression, and is often made synonymous with _elegance_. The first requisite in style is perspicuity. It is a prevalent notion among the vulgar that clearness of expression leads to dryness and dullness in speaking or writing, owing to the plain garb in which ideas are clothed. But the fact is, the very reverse of this is true, and as the legitimate result.