Night has thrown her mantle over the city. There is a great gathering
of denizens at the house of Madame Flamingo. She has a _bal-masque_
to-night. Her door is beset with richly-caparisoned equipages. The town
is on tip-toe to be there; we reluctantly follow it. An hundred
gaudily-decorated drinking saloon are filled with gaudier-dressed men.
In loudest accent rings the question—“Do you go to Madame Flamingo’s
to-night?” Gentlemen of the genteel world, in shining broadcloth, touch
glasses and answer—“yes!” It is a wonderful city-this of ours. Vice
knows no restraint, poverty hath no friends here. We bow before the
shrine of midnight revelry; we bring licentiousness to our homes, but
we turn a deaf ear to the cries of poverty, and we gloat over the sale
of men.
The sickly gaslight throws a sicklier glare over the narrow, unpaved
streets. The city is on a frolic, a thing not uncommon with it. Lithe
and portly-figured men, bearing dominos in their hands, saunter along
the sidewalk, now dangling ponderous watch-chains, then flaunting
highly-perfumed cambrics—all puffing the fumes of choice cigars. If
accosted by a grave wayfarer—they are going to the opera! They are
dressed in the style of opera-goers. And the road to the opera seems
the same as that leading to the house of the old hostess. A
gaily-equipped carriage approaches. We hear the loud, coarse laughing
of those it so buoyantly bears, then there comes full to view the glare
of yellow silks and red satins, and doubtful jewels-worn by denizens
from whose faded brows the laurel wreath hath fallen. How shrunken with
the sorrow of their wretched lives, and yet how sportive they seem! The
pale gaslight throws a spectre-like hue over their paler features; the
artificial crimson with which they would adorn the withered cheek
refuses to lend a charm to features wan and ghastly. The very air is
sickly with the odor of their cosmetics. And with flaunting cambrics
they bend over carriage sides, salute each and every pedestrian, and
receive in return answers unsuited to refined ears. They pass into the
dim vista, but we see with the aid of that flickering gas, the shadow
of that polluting hand which hastens life into death.
Old Mr. McArthur, who sits smoking his long pipe in the door of his
crazy-looking curiosity shop, (he has just parted company with the
young theologian, having assured him he would find a place to stow Tom
Swiggs in,) wonders where the fashionable world of Charleston can be
going? It is going to the house of the Flamingo. The St. Cecilia were
to have had a ball to-night; scandal and the greater attractions here
have closed its doors.
Public-domain text, read in full here on John Shaqi.
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