Katherine Lauderdale; Vol. 2 of 2Crawford, F. Marion (Francis Marion)
General
Katherine Lauderdale; Vol. 2 of 2
Crawford, F. Marion (Francis Marion)
Families -- Fiction; Interpersonal relations -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
She coolly turned her back on the annihilated youth and walked away from
him alone, almost as surprised at what she had done as he was. He, poor
boy, got very red in the face, stood still, helped himself into
countenance by sticking a single glass in his eye and then went in
search of his dearest friend, the man who had just discovered that
extraordinary tailor in New Burlington Street, you know.
Katharine had been half stunned by what Hester Crowdie had told her,
which she felt instinctively was not more than a moiety of the truth.
She had barely recovered her self-possession when she was met by what
rang like an insult in her ears. It was no wonder that her blood boiled.
Without looking to the right or to the left, she went forward till she
was under the great balcony, and there, by one of the pillars, she came
upon Bright and Crowdie talking together in low, excited tones.
Bright’s big shoulders slowly heaved as in his anger he took about twice
as much breath as he needed into his lungs at every sentence. His fresh,
pink face was red, and his bright blue eyes flashed visibly. What the
young dandy had said was evidently true. He was still ‘leathering into’
Crowdie with all his might, which was considerable.
Crowdie, perfectly cool and collected, leaned against the wooden pillar
with a disagreeable sneer on his red mouth. One hand was in his pocket;
the other hung by his side, and his fingers quietly tapped a little
measure upon the fluted column. Almost every one has that trick of
tapping upon something in moments of anxiety or uncertainty, but the
way in which it is done is very characteristic of the individual.
Crowdie’s pointed white fingers did it delicately, drawing back lightly
from contact with the wood, as a woman’s might, or as though he were
playing upon a fine instrument.
“It’s just like you, Walter,” Bright was saying, to go about telling the
thing to all the women. Didn’t I tell you this afternoon that I was the
principal person concerned, that it was my business and not yours and
that if I wished it kept quiet, nobody need tell? And you said yourself
that you hoped Hester might not hear it, and then the very first thing I
find is that you’ve told her and cousin Emma and probably Katharine
herself--”
“No, I’ve not told Katharine,” said Crowdie, calmly. “I shan’t, because
she loves him. The Lord knows why! Drunken beast! I shall leave the club
myself, since he’s not to be turned out--”
Crowdie stopped suddenly, for he was more timid than most men, and his
face plainly expressed fear at that moment--but not of Hamilton Bright.
Katharine Lauderdale was looking at him over Bright’s shoulder and had
plainly heard what he had said. A man’s fear of woman under certain
circumstances exceeds his utmost possible fear of man. The painter knew
at once that he had accidentally done Katharine something like a mortal
injury. He felt as a man must feel who has accidentally shot some one
while playing with a loaded pistol.
Public-domain text, read in full here on John Shaqi.
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