Adventure stories; Brothers -- Fiction; Chicago (Ill.) -- Fiction; Detective and mystery stories
The trouble with those descriptions is that they are too advanced and
intricate. The subject generally is seized with some figurative image,
which is quite all right from my experience; but whereas others seem to
have come to consciousness through flights of fancy similar to stanzas
in “Spoon River Anthology” or Carl Sandberg’s best, I woke up repeating
to myself the simplest of verse. In fact:
“Will you walk into my parlor?
Said the spider to the fly;
It’s the prettiest little parlor,
That ever you did spy.”
The psycho-analyst says that the subconscious, which is always with us,
working, never is actually foolish; it is interpretive, if you have the
insight to understand it. Well, this was my subconscious expression. It
was interpretive, true enough.
Now the spider, in my complex, was not that old woman; Doris was doing
the spider in my dream.
Upon becoming aware that, though I lay on the edge of a red-plush
parlor, I was not physically a fly, I felt over myself to find what was
missing.
There should be something hard and heavy and extremely important under
my coat in my right inside pocket. That region was soft and pliable
now. Plates were lacking; that was it,--nice, new, counterfeit plates
which I’d procured from under Doris Janvier’s lingerie in that Pullman
on the Century and which I’d put in my pocket to return to her here at
Number 120 Cheron Street with an idea of evangelizing her out of using
them.
Phrases and periods from that talk I’d prepared for her came into
my mind and mixed into the parade of other ideas which followed the
spider-and-fly act. They gave me a laugh, anyway.
I lay, looked and listened. After a few minutes, I sat up. Apparently
I had the house to myself. Also I had my watch and other personal
possessions, everything except those plates.
I took a chance on rising; and still nobody disturbed me. Possibly
I might have poked all over that house but I felt no overmastering
impulse. The door and that street, on the other side of the pane with
these nice, prim, old-fashioned curtains, looked very good to me. I got
out and shut the door behind me. Over by the bridge I found a patrolman
and asked him to take me to the nearest police station.
That was the place where I sketched to interested ears the essentials
of what I’d done since leaving Chicago. I gave them all,--how I’d
suspected her before she took the train, how I helped her get away
at Cleveland; how I’d carried on the plates and went to return them,
trusting to the patent leather platitudes I’d prepared to turn her to
the paths of rectitude.
I gave them, with that last particularly, the laugh of their lives.
They wanted to know if I actually expected she would meet me alone in a
parlor to talk ethics with me.
Public-domain text, read in full here on John Shaqi.
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