Full-length, face turned to the right. His right hand is extended, his left holds back his crimson and ermine cloak. His dress is blue with rich gold lace. He has a short wig. On canvas, 7 ft. 9 in. high, by 4 ft. 9 in. wide. Vanloo came to England in 1737, and this portrait was probably painted about two years after. He became a very popular artist, and made a great deal of money, for, as his French biographer observes:--"L'Angleterre est le pays où il se fait le plus de portraits et où ils sont mieux payés." Engraved by Baron. This picture, therefore, dates from the time when the Prince was about thirty-one years of age, and had been expelled from St. James's Palace, and was in declared enmity with his father. His insignificant character, which excited contempt rather than dislike, is very happily satirized in the famous epitaph: "Here lies Fred, Who was alive and is dead; Had it been his father, I had much rather; Had it been his brother, Still better than another; Had it been his sister, No one would have missed her; Had it been the whole generation, Still better for the nation; But since 'tis only Fred, Who was alive and is dead, There's no more to be said." 5 _Unassigned._ 6 Caroline, Queen of George II. (_784_) . . . . . ZEEMAN? Full-length, standing, figure to the left, face a little to the right. Her left hand holds up her cloak, her right is on a table, on which is a crown and sceptre. She wears a blue velvet dress trimmed with broad gold braid, and a white satin skirt, richly worked with gold and jewels. Her hair is short and powdered. On canvas, 7 ft. 9 in. high, by 4 ft. 9 in. wide. This was formerly attributed to Kneller, but it cannot be by him, as she is represented as queen, while Kneller died four years before her accession. Caroline was forty-five when her husband became king. "Her levées," says Coxes, "were a strange picture of the motley character and manners of a queen and a learned woman. She received company while she was at her toilette; prayers and sometimes a sermon were read; learned men and divines were intermixed with courtiers and ladies of the household; the conversation turned on metaphysical subjects, blended with repartees, sallies of mirth, and the tittle-tattle of a drawing-room." 7 _Unassigned._ 8 Portrait of George I. (_782_) . . . . . KNELLER. Seated, facing in front. He is in the robes of the Order of the Garter. His left hand on the arm of the chair, his right on a table, whereon are a crown and a plumed helmet. On canvas, 7 ft. 9 in. high, by 4 ft. 9 in. wide.