Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
A strip of blue fjord and a background of dark mountains, with the
cool ice-kisses of the snow queen still resting on their dusky heads,
can be seen at intervals through the fir and pine trees. A squirrel
scrambles up a rowan-tree, and a cattle-bell tingles far in the woods.
Nature has ever a discordant note in its symphony. A little brown bird
is fluttering in helpless, terrified jerks; it emits, as it rises and
falls, a sharp sound between a chirp and a squeak. A hawk is swooping
over it: a poise--a dip--a few feathers float with the breeze, and
hawk soars up with its prey in its claws.
The red-brown eyes that gleam out of the small, sallow face of the
woman who sits on the left side of the phaeton close for a second; the
delicate nostrils quiver, the lips tighten over a sigh; then the lids
rise again, the eyes are darker, the pupils have a trick of dilating;
a smile subtle in meaning, for much of mocking pain and bitterness is
expressed in its brief passage, flits across her face.
A savage jerk! the horses stop.
"Kiss me!" says the man who is driving. His voice is harsh, and the
eyes that scan her face have a lurid light in them; and as he speaks
a smell of spirit mingles with the smell of the pine chips. Her lips
tighten still more; she turns to obey. She has to rise up a little; he
is very tall. His nose is powerful like a hawk's beak, and his beard is
stirred by the breeze, and his eyes peer out from under their fringe
of black lashes with a cruel, passionate gleam. She almost touches his
face, but falls back from a rough shove:--
"No! keep your kiss and be damned to you!"
A savage whoop, the whip curls out and the reins jerk, and the
quivering horses that know the voice too well dash on; and the hounds
that have felt the whip-cord sting, as the strike of a snake on their
flanks, bay savagely as they join in the race.
On the right of the narrow, winding road a great lake lies hundreds of
feet below; the wheel is not half a foot from the edge, and the vehicle
jolts and leans that way, and the lash coils round and flicks her
cheek, and leaves a sorry sting,--and she never winces at it, but her
small hands clinch, and her lips part, and the red light flashes in her
eyes, and something akin to exultant expectation steals over the thin
small face as they court death each wheel-turn in their mad career.
* * * * *
Public-domain text, read in full here on John Shaqi.
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