King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
General
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
English poetry -- Middle English, 1100-1500; Mary, Blessed Virgin, Saint -- Legends; Romances, English
What then was the source of this earliest English version? Was it
derived from Wace, or does it rest on one of the Latin versions? Wace’s
poem consists of three parts (cf. Gierth, Engl. Stud. vii, p. 6): (1)
the institution of the feast of the Conception of Mary, (2) her birth,
rearing and marriage, (3) her death and burial. For the first part his
source seems to have been the _Miraculum de conceptione sanctae Mariae_;
for the second part, the _Evangelium de nativitate Sanctae Mariae_.
About these two works, which he has followed almost word for word, Wace
grouped a number of minor anecdotes and commentary notes from Anselm,
Eadmer, and other of the church writers of the 11th and 12th centuries.
For part (3) Wace seems certainly to have used the Latin version of the
story, designated by Tischendorf as _Transitus Mariae_, #B#.
The English version has in common with Wace’s poem some traits that in
the other versions are wanting. For instance, only in these two versions
is it related that Mary cared for and instructed the maidens in the
temple. (Engl. vv. 60 ff.) Another feature in common is contained in the
speech of Christ to his mother shortly before her death, in which he
promises her, _La porte d’aidier auras A trestous ceus que tu vorras_
(Wace, p. 71, vv. 6, 7), which the English poet seems to have expanded
into a number of verses, in which is promised pardon to every sinner who
will betake himself to Mary.
On the other hand, in several instances the English agrees more closely
with the Latin, where Wace has considerably abridged, and in these
instances the French cannot have been the original of the English poem.
A Latin original seems much more probable. The first two-thirds of the
English poem corresponds almost exactly with the Tischendorf Latin #B#
version. On the other hand, the introduction of Thomas in the last
one-third of the poem is a feature of the Latin #A# version, but is
foreign to #B#. In other respects the English poem corresponds more
closely to a third Latin version from which Tischendorf quotes variants,
the _Codex Laurentius_. The English has in common with the _Legenda
Aurea_ the peculiar trait of making no mention of the miraculous transit
of John from Ephesus. Again, some traits in Latin #B# do not appear in
the English version, and, on the other hand, the English version
contains a few traits not to be found in any of the other versions
spoken of.
Public-domain text, read in full here on John Shaqi.
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