King of the Air; Or, To Morocco on an AeroplaneStrang, Herbert
General
King of the Air; Or, To Morocco on an Aeroplane
Strang, Herbert
Air travel -- Fiction; Morocco -- Fiction
“Of course I should have to take Abdul—or rather he would have to take
me; and however dangerous it would be for two, it would be still more
dangerous for three. If you’ll stay and keep an eye on the airship, I’ll
take advantage of the moonlight and go and have a look round. Your turn
will come, you may be sure of that. If I don’t come back, you know how
to set the machine going. Scoot back to the yacht, and get Mr. Greatorex
to make straight for Tangier.”
“There’ll be a pretty row about this before we’ve done with it! All
right!—if you _will_ go. But I say, they’ll spot you for a foreigner if
any one catches sight of you—in those clothes.”
“Yes; I forgot that. I wish I’d provided myself with a rig-out in the
Moorish style.”
Here Abdul produced from the folds of his djellab a small bundle, which,
being unrolled, proved to be a long grey garment with a pair of yellow
shoes wrapped in it.
“You’re a brick, Abdul!” cried Tom. “You guessed I’d want something of
this sort, eh?”
“Yes, master. I could only get one.”
“So you’re out of it for the present, anyhow, Oliphant. Well, good-bye.
If we’re lucky we’ll be back by the morning; if not—you know what to
do.”
Five minutes later Tom, swathed in the djellab, disappeared over the
brow of the hill with Abdul. He carried his revolver; the Moor had only
a knife. In his unfamiliar garment Tom found it by no means easy to make
the descent down the rough precipitous path; but Abdul went first,
picking the easiest course, and both arrived safely at the bottom.
Then they began their march to the village. It was a toilsome journey,
and Tom found the Moorish slippers a very inconvenient footgear. A long
tramp, and another steep climb, brought them to the wall of the village,
which was built on the slope of the hill. The gates had been shut at
sunset, Abdul explained: that was the Moorish fashion. Tom perceived
that the wall was utterly dilapidated: in that respect Ain Afroo was
typically Moorish. In many parts the parapet had fallen to pieces, and,
for any protection it afforded, the wall might as well not have been
there. It gave easy foothold to a climber, and Tom indulged a hope that
the kasbah might prove to be in equally bad preservation.
Public-domain text, read in full here on John Shaqi.
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