Kitty Alone: A Story of Three Fires (vol. 2 of 3)Baring-Gould, S. (Sabine)
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Kitty Alone: A Story of Three Fires (vol. 2 of 3)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
The thought had risen up in him, an almost tangible thought, like a
great beast coiled in his heart, stretching itself, getting on its feet,
and turning. The thought was this—that it was not too late to save his
brother-in-law. He might return, unlock the store, rush in, and drag the
unconscious man down from the heap of coals, through the smoke and
flame. The fire had not yet reached him; it was tonguing up the heap,
sending the tips of its flames tastingly towards him; the fire was hot
beneath, but the crust still upheld the man in the sack; would it be so
much longer? As the coals were consumed beneath, there would be formed a
great core of red fire, and if Jason moved, the crust would give way,
and then, shrieking, unable to assist himself, he would drop into that
glowing mass, where the cords would be burnt to free him, but only when
it would be too late for him to escape.
Had Jason already woke from his trance, and was he cuddled up in his
sack, watching the approaching flames, crying for help, and getting
none? Was he tearing at his bands with his teeth, writhing—trying to
precipitate himself down the black mound of combustible material, in the
hopes of being able to roll along the floor to the door? And if he
succeeded so far—what more could he do? Nothing but watch the fire grow,
break out in gushes of scarlet and orange, pour forth volumes of
stifling smoke, and then lie with his mouth below the door, gasping for
the air that rushed in beneath.
Shuddering, Pasco Pepperill stood with eyes open, looking into the
night, seeing all this as really as though the vision were unrolled
before his naked eyes. He dared not look behind him, his neck was stiff,
and he could not turn it—he could not even turn his eyes in the
direction of the Cellars.
Should he retrace his course and free Jason? Could he not rely on Jason
to remain silent after this terrible experience? But what if he arrived
too late? What if the fire had already broken out, and had laid hold of
its prey? Why should he give himself the lasting horror of seeing what
he must then see? And of what avail would it be to the burning man?
It was too late. Pasco had taken his line, had cast his lot, and there
was no return. He resumed his run up the hill, through the meadows; the
wind blowing off the river assisted him. When he reached the field in
which was the shed, he knew that Coombe Cellars was no longer visible.
There was a shoulder of hill between.
But though the Cellars might not be visible, the sky overhead might show
redness, might throb with light; and lest he should see this, he fixed
his eyes resolutely in an opposite direction.
In crossing the field he no longer ran. He had lost his breath ascending
the hill; he walked slowly, panting, and ever and anon stopped to wipe
his brow, and remove his hat, that the cool wind might play about his
wet hair.
Public-domain text, read in full here on John Shaqi.
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