Love stories; Reconstruction (U.S. history, 1865-1877) -- Fiction; Southern States -- History -- 1865-1877 -- Fiction
The Varieties was crowded that night, and an admirable play was on the
stage; but my thoughts were incessantly wandering back to Mars, to his
strange behavior, and to Bella Grayson and her possible connection with
his changed manner. Then, too, I was worried about Harrod's
theory,--that the boy was ill. All things considered, I could pay very
little attention to what was going on, either in the audience or on the
stage. Our seats were in the front row of the dress-circle, a little to
the right of the centre of the house; and during the intermission
between the first and second acts Kitty and Turpin had been keeping up
an incessant chatter, though so low-toned and semi-confidential that I
heard nothing of what was said. The house was very full, as I say, and
many gentlemen were standing in the side aisles over the proscenium
boxes. Others were swarming about the outer row of dress-circle seats.
Others still were seated on the steps leading down into the parquet. The
curtain rose upon the second act, and Kitty, sitting next to me, with
Turpin on her other side, drew back and glanced one minute up in my
face. All animation, life, sparkle, and saucy triumph she looked; there
was a mischievous challenge in her laughing eyes as they met mine, then
wandered off to the stage. Another moment and I turned to her to whisper
some comment upon the costume worn by one of the actresses and--how can
I describe the change that had come over her face? Pale, startled, yes,
frightened. She was staring across the parquet towards a group of men
standing in the outer aisle. Following her eyes I too looked, and there,
glaring at our party, with a strange, wild, uncanny expression on his
face, was Frank Amory.
For an instant nothing was said. Then, involuntarily, I half rose. His
eyes met mine, and, without a sign of recognition, he dropped back in
the throng and disappeared. "Did you see him?" I exclaimed to Harrod.
"Watch! See where he goes! It is Amory, and something is wrong."
The colonel looked at me in startled wonderment, but a glance at Kitty's
face seemed to bring him confirmation of my statement. I rose and looked
about in my excitement and anxiety, but an indignant "Down in front!"
from some half-dozen mouths in rear brought me back to seat and senses.
Not until the close of the act could I get out. Then, followed by
Harrod, I worked my way into the vestibule, searched the corridors, the
bar-room, the main stairway, and the broad entrance. No sign of him.
Several infantry officers were standing there, but, in answer to my
appeal, said they had seen nothing of Lieutenant Amory; but at the gate
the door-keeper remembered a young officer going out in the middle of
the second act and declining a return check. I determined to go at once
to his lodgings. Harrod would stay and look after Kitty and Turpin.
Public-domain text, read in full here on John Shaqi.
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