Love stories; Reconstruction (U.S. history, 1865-1877) -- Fiction; Southern States -- History -- 1865-1877 -- Fiction
The side alley proved to be a lane leading through the tall hedge of
swampy vegetation. I could not see where it led to, but the driver said
it only ran out a few hundred feet to some barns that lay near the old
Metairie track. He drove in, however, and halted the cab close under the
hedge on one side. Too nervous to sit still, I got out and walked back
to the main road, where the buildings of Gaffney's place could be seen.
There was, as the driver had said, a dim light, but it seemed to be in
one of the rear rooms.
For five minutes all was silent. Then, far up the road, I thought I
heard the beat of horses' hoofs coming on at a jog-trot. Listening
intently, I soon was assured. Nothing could be seen along the dark
shadow of the hedgerow; the light was too feeble to point out objects in
the road; but every moment, more and more distinctly, I heard what I
felt certain to be a horse and buggy coming towards us. Then all of a
sudden the sound ceased.
The approach to Gaffney's was a semicircular sweep of shell road leading
from the main highway to the galleries of the saloon. There was
probably a distance of a hundred yards between the two entrances. I was
standing at the northern end. That buggy had evidently stopped at or
very near the other. I almost fancied I could see it. Now, had Parker
heard it coming? Waiting a moment more in breathless expectancy, I
suddenly heard, as though from the shrubbery in front of Gaffney's, low,
prolonged, and clear, a whistle. My nerves leaped with sudden start. The
same odd thrill of tremulous excitement seized me that had so mastered
me that strange night in the old plantation home at Sandbrook. It was
for all the world like the signal-whistle that had so roused me that
night, only very much softer. Could it have been from Mr. Parker?
Whether it was or no he would probably need me now. I crept into the
shadow of the hedgerow and, on tiptoe, hastened up the curve towards the
gallery. A dim figure was standing at the end of the house peering
towards the other entrance,--a figure that held out a warning hand, and
I stole noiselessly up beside it, my heart beating like a trip-hammer.
It was Parker.
"Quiet," he whispered; "I think we have treed our buggy friends."
"The buggy is out there on the road," I answered.
"It was, but that whistle will bring it in here. There stands the big
man just at the other end of the gallery. He cannot see us; he is
looking the other way. Follow me across into the shrubbery and we will
get up near him. I'm bound to hear what devilment they are up to."
With that he sprang lightly across. I followed; and, crouching
noiselessly along the soft grass, we stole through the low trees and
bushes until nearly opposite the southern end of the gallery. Almost at
the same instant the buggy came driving up the turn, and a voice uttered
an impatient "Whoa!"
Public-domain text, read in full here on John Shaqi.
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