Knights of Art: Stories of the Italian PaintersSteedman, Amy
General
Knights of Art: Stories of the Italian Painters
Steedman, Amy
Art -- Juvenile literature; Painters -- Italy
Among the marvellous tales of the Arabian Nights, there is a story told
of a band of robbers who, by whispering certain magic words, were able
to open the door of a secret cave where treasures of gold and silver
and precious jewels lay hid. Now, although the day of such delightful
marvels is past and gone, yet there still remains a certain magic in
some names which is able to open the secret doors of the hidden haunts
of beauty and delight.
For most people the very name of 'Raphael' is like the 'Open Sesame' of
the robber chief in the old story. In a moment a door seems to open out
of the commonplace everyday world, and through it they see a stretch of
fair sweet country. There their eyes rest upon gentle, dark-eyed
Madonnas, who smile down lovingly upon the heavenly Child, playing at
her side or resting in her arms. The little St. John is also there,
companion of the Infant Christ; rosy, round-limbed children both, half
human and half divine. And standing in the background are a crowd of
grave, quiet figures, each one alive with interest, while over all
there is a glow of intense vivid colour.
We know but little of the everyday life of this great artist. When we
hear his name, it is of his different pictures that we think at once,
for they are world-famous. We almost forget the man as we gaze at his
work.
It was in the little village of Urbino, in Umbria, that Raphael was
born. His father was a painter called Giovanni Santi, and from him
Raphael inherited his love of Art. His mother, Magia, was a sweet,
gracious woman, and the little Raphael was like her in character and
beauty. It seemed as if the boy had received every good gift that
Nature could bestow. He had a lovely oval face, and soft dark eyes that
shone with a beauty that was more of heaven than earth, and told of a
soul which was as pure and lovely as his face. Above all, he had the
gift of making every one love him, so that his should have been a happy
sunshiny life.
But no one can ever escape trouble, and when Raphael was only eight
years old, the first cloud overspread his sky. His mother died, and
soon after his father married again.
The new mother was very young, and did not care much for children, but
Raphael did not mind that as long as he could be with his father. But
three years later a blacker cloud arose and blotted out the sunshine
from his life, for his father too died, and left him all alone.
The boy had loved his father dearly, and it had been his great delight
to be with him in the studio, to learn to grind and mix the colours and
watch those wonderful pictures grow from day to day.
But now all was changed. The quiet studio rang with angry voices, and
the peaceful home was the scene of continual quarrelling. Who was to
have the money, and how were the Santi estates to be divided?
Stepmother and uncle wrangled from morning until night, and no one gave
a thought to the child Raphael. It was only the money that mattered.
Public-domain text, read in full here on John Shaqi.
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