The procession, which preceded the passing of the Emperor, seemed almost
unending. At every moment the sea of colour broke into waves of every
imaginable hue, as one motley crowd of retainers, servants, musicians
and officials gave place to another. Important and imposing officials in
high-crowned hats, adorned with crimson tassels festooned with bunches
of feathers and fastened by a string of amber beads round the throat,
were pushed along, silent and helpless. Their dresses were glaring
combinations of red and blue and orange; they were supported by men in
green gauze coats and followed by other signal marks of Korean grandeur,
more banners and bannermen, flags decorated with feathers, servants
carrying boxes of refreshments, small tables, pipes and fire. These were
succeeded by others just as imposing, helpless and beautiful to behold;
the breasts and backs of their superb robes were decorated with satin
squares, embroidered, after the style of China, with the symbols of their
offices—birds for civilians, tigers for those of military rank. Statesmen
in their official robes gave place to others in winged hats or lofty
mitres, gleaming with tinsel. The Commander-in-Chief, with Japanese,
Chinese, and Korean decorations flashing in the sunshine from the breast
of his modern uniform, followed by his staff in red coats heavily braided
with gold lace, and with white aigrettes waving in their hats, passed,
marching proudly at the head of the Imperial body-guard. The final stream
of colour showed nobles in blue and green silk gauze; Imperial servants
with robes of yellow silk, their hats decorated with rosettes; more
mediæval costumes, of original colour and quaint conception; a greater
multitude of waving flags; a group of silken-clad standard-bearers
bearing the Imperial yellow silk flag, the Imperial umbrella, and other
insignia. Then a final frantic beating of drums, a horrid jangling of
bells, a fearful screaming of pipes, a riot of imperious discord mingled
with the voices of the officials shouting orders and the curses of the
eunuchs, and finally the van of the Imperial _cortège_ appeared, in a
blaze of streaming yellow light, amid a sudden silence in which one
could hear the heart-beats of one’s neighbour. The voices died away; the
scraping of hurried footsteps alone was audible as the Imperial chair of
state, canopied with yellow silk richly tasselled, screened with delicate
silken panels of the same colour and bearing wings to keep off the sun,
was rushed swiftly and smoothly forward. Thirty-two Imperial runners,
clad in yellow, with double mitres upon their heads, bore aloft upon
their shoulders the sacred and august person of his Imperial Majesty, the
Emperor, to his place of sacrifice and worship in his Temple of Ancestors.
Public-domain text, read in full here on John Shaqi.
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