Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The elder Willie, obviously, does not like the set of his coat, after
the glory of his many uniforms; the younger Willie, apparently, has
finished his trying on, and from his expression the result is as much as
he could expect, and no more. In both there is that suggestion of
posturing, of playing to the gallery and being determined that the
clothes shall be suited to the part, for which William Hohenzollern was
noted before ever this war showed him as the most infamous ruler of
modern time.
There is a certain bitter correctness in Raemaekers’ estimate of these
exalted personages. Shorn of their uniforms, posturing before a mirror
in a slightly Parisian (using the adjective in the pre-war, foppish
sense) garb, they show as very little men--rather contemptible, in fact,
as, of course, they are. For it is open to any man to dream of ruling
the world, and of setting nations by the throat for the sake of an
ambition that civilization cannot tolerate; it is open to any head of a
government to set the machinery in motion which might gratify that
ambition--but it is open only to a _man_, in the very best of that one
syllable, to bring his ambition to fruition, and even then only by
strict adherence to natural law. And these two, posturing as Raemaekers
makes them posture here, have ignored law; they had the wit to dream,
but not the brain to make reality of dream, nor the moral sense through
which they might have made the world acknowledge the dream as worth
while translating into actualities. Probably, if they were set in a St.
Helena of to-day, they would fold their arms and try on cocked hats, as
once they tried on uniforms. But though the clothes declare the man,
they cannot make of him other than he is, and these two are mere
posturers, whatever may be their attitudes.
E. CHARLES VIVIAN.
[Illustration]
_Two Peals of Thunder_
Here the artist has depicted the Kaiser as a modern Ajax, not defying
the lightning but afraid of it. The arch Hun sees the neutral Powers one
by one abandoning their neutrality and entering the lists against him
and his gospel of force and world-power for Germany. Italy, after slow
progress and positive and seemingly disastrous set-backs, has emerged to
the fullness of a success which has proved invaluable to her Allies as a
whole. In Rumania’s dark hour there is yet a gleam of hope and the
indications of a dawn which shall see her triumphant and reaping where
she has sown, and ultimately honored among the nations for the part she
has determined to play in the struggle for freedom and for international
integrity. The reward of high courage and faith is often not at the
moment, but is none the less certain for all that. Truly the keenest of
all edges is upon the sword drawn in the cause of freedom. Rumania has
drawn that sword, and it will not be sheathed until freedom from tyranny
has been won, not alone for her but for the nations of Europe as a
whole.
CLIVE HOLLAND.
[Illustration]
_A Universal Conscience_
Public-domain text, read in full here on John Shaqi.
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