Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
Pomposity, ponderosity, machine-like movement, ruthless, cold, and
calculating logic, which sticks at nothing, not even the lowest of low
cunning, want of sense of humor, the absence of anything like
sportsmanship or chivalry--these are qualities which the average
Englishman does not admire, and finds it difficult even to understand.
He cannot help reading his own characteristics, which are for good and
bad so different, into other men and creatures. He cannot understand
their entire absence, and it is difficult for him to believe that men so
differently constituted can exist.
Mr. Raemaekers wants to make us realize the fact, to present it
embodied. The legitimate emphasis of his caricature has this for its
object.
Ponderous, pompous, pachydermatous, self-satisfied, fat, successful and
comfortable; but without feeling for the comfort of others. We have here
the type of German military domination. Submit to Germany and you will
be happy, in the German way, which is the best way, because it is
German. If you don’t like that, you must lump it. That is the message of
this speaking likeness.
HERBERT WARREN.
[Illustration]
_The Old Poilu_
Of all Raemaekers’ cartoons this is the one that pleases me most. It is
the French Army.
The Grand Army that tramped away into the night after the bugles of
1812-15 left behind it more than a sentiment and a story. It was the
spirit of that army that broke the Germans at the Marne and held them at
Verdun, and it is the same spirit that is holding them now on the Somme.
Here is the fighting face of France, recalling the baggage carts of the
Beresina no less than the guns of Austerlitz. The old soldier of the
Emperor, the old soldier of the Republic. Cambronne no less than Joffre.
It is the face that has seen the snows of Russia and the sunlight on the
Pyramids, victory and defeat, the heights and the depths, and always,
across all and through all, the fair land of France.
The secret is in the eyes. Look at them!
H. DE VERE STACPOOLE.
[Illustration]
_Humanity Torpedoed_
That really is the essence of the matter, the summing up of the World
War in an illuminating phrase. The Machine _versus_ the Man! Before the
outbreak of war, in those far-off days when we talked so glibly of human
progress and civilization, the machinery which controlled and
coördinated life seemed to be a bigger thing than life itself. The
Machine in politics, in our myriad industries, in our moments of
relaxation was scrapping men relentlessly. The very few perceived this
and protested vigorously, but quite in vain. Even in religion, using the
word in its highest sense, the Machine held human souls in its grip and
ground them out to an approved pattern.
Was the war inflicted upon a generation of fools to teach them wisdom?
It may well be so.
_Et propter vitam vivendi perdere causas!_
Public-domain text, read in full here on John Shaqi.
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