Then the wedding party invaded the long gallery occupied by the Italian and Flemish schools. More paintings, always paintings, saints, men and women, with faces which some of them could understand, landscapes that were all black, animals turned yellow, a medley of people and things, the great mixture of the colors of which was beginning to give them all violent headaches. Monsieur Madinier no longer talked as he slowly headed the procession, which followed him in good order, with stretched necks and upcast eyes. Centuries of art passed before their bewildered ignorance, the fine sharpness of the early masters, the splendors of the Venetians, the vigorous life, beautiful with light, of the Dutch painters. But what interested them most were the artists who were copying, with their easels planted amongst the people, painting away unrestrainedly; an old lady, mounted on a pair of high steps, working a big brush over the delicate sky of an immense painting, struck them as something most peculiar. Slowly the word must have gone around that a wedding party was visiting the Louvre. Several painters came over with big smiles. Some visitors were so curious that they went to sit on benches ahead of the group in order to be comfortable while they watched them pass in review. Museum guards bit back comments. The wedding party was now quite weary and beginning to drag their feet. Monsieur Madinier was reserving himself to give more effect to a surprise that he had in store. He went straight to the “Kermesse” of Rubens; but still he said nothing. He contented himself with directing the others’ attention to the picture by a sprightly glance. The ladies uttered faint cries the moment they brought their noses close to the painting. Then, blushing deeply they turned away their heads. The men though kept them there, cracking jokes, and seeking for the coarser details. “Just look!” exclaimed Boche, “it’s worth the money. There’s one spewing, and another, he’s watering the dandelions; and that one—oh! that one. Ah, well! They’re a nice clean lot, they are!” “Let us be off,” said Monsieur Madinier, delighted with his success. “There is nothing more to see here.” They retraced their steps, passing again through the Salon Carre and the Apollo Gallery. Madame Lerat and Mademoiselle Remanjou complained, declaring that their legs could scarcely bear them. But the cardboard box manufacturer wanted to show Lorilleux the old jewelry. It was close by in a little room which he could find with his eyes shut. However, he made a mistake and led the wedding party astray through seven or eight cold, deserted rooms, only ornamented with severe looking-glass cases, containing numberless broken pots and hideous little figures.