L.P.M. : The End of the Great WarBarney, J. Stewart (John Stewart)
Science
L.P.M. : The End of the Great War
Barney, J. Stewart (John Stewart)
World War, 1914-1918 -- Fiction
All at once, as if acting under an order from within, these were
trained on the spectators and simultaneously discharged, belching out
great rings of smoke. There was a stifled scream from the gallery at
this, but immediately the room grew quiet again, and the audience sat
as if spellbound awaiting further developments. A small door in the
starboard side now opened, and the figure of a man came running down a
gangway to a platform suspended under the ship, where, silhouetted
against the sky, he occupied himself in signalling to some one on the
ground. He was joined from time to time by others of the crew as the
vessel settled slowly toward the earth.
When it was about one hundred and fifty feet above the cradle,
Edestone was seen to walk out with a megaphone in his hand, and
through it communicate instructions to the man on the bridge, in
evident obedience to which the airship settled still lower, until it
was not more than twenty feet above the top of the cradle.
A ladder having then been lowered to Edestone, he climbed up it,
ascended the gangway, and disappeared into the interior of the great
cigar-shaped object, it all the time remaining absolutely stationary.
But he was not long lost to view. In a few minutes he re-appeared on
the top deck and a man by his side energetically waved a large flag.
And as the two stood there, the airship began to move.
Slowly at first, but gradually gaining momentum, it soared away across
the wastes, and soon was lost to sight.
There was a moment after that when the room was dark, while horizontal
streaks of light chased each other from bottom to top across the
screen, and disappeared into the darkness from which they had come.
Another picture followed, taken from the same viewpoint as the last.
“Here she comes!” cried Edestone, seeming to forget for the moment
where he was, as a small speck which represented the approaching
airship disclosed itself. “This time in the upper right-hand corner of
the picture. See! I am on board, and I am driving her at one hundred
and ten miles.” And he followed with his pointer the swift course of
the vessel, as it shot down the screen like a great comet, leaving a
long tail of smoke behind it. To the overwrought nerves of the
audience, the buzz and splutter of the moving-picture machine seemed
to increase in volume, and thus lend a semblance of reality to the
monster as it swept nearer and nearer.
Straight for the camera it was headed, grim, threatening,
irresistible, as if it were preparing to rush out of the screen and
destroy Buckingham Palace. The spectators with difficulty kept their
seats, and when the formidable thing dashed by and disappeared at the
side of the picture, they settled back in their chairs with an
unmistakable sigh of relief.
It appeared again, after making a great circle, returning slowly now,
and dropping lightly as a feather to the cradle, where it remained
perfectly still, while the black smoke enveloped it in a veil of
mystery.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account