Montpensier, Anne-Marie-Louise d'Orléans, duchesse de, 1627-1693
The night of the 23d-24th January (1636) [reports the _Gazette_]
Mademoiselle in her lodgings at the Tuileries, gave a comedy and
a ball to the Queen, where the Good Grace of this princess in the
dawn of her life, gave proof of what her noontide is to be. The
24th February, Monsieur gave a comedy and a collation to His Royal
Highness of Parma at Mademoiselle his daughter's, in her apartments
at the Tuileries.
Mademoiselle passed the days and the nights in fêtes. Her studies did
not suffer by it because she never studied and never knew anything of
study outside of reading and writing, making a courtesy, and carefully
observing the rules of a minute etiquette.
It is probable that she owed the little that she knew to several months
of forced retreat in a convent, when she was nine years old. She made
herself so intolerable to every one,--it is she who tells it,--she was
so vexatious, with her "grimaces" and her "mockeries," that they put
her in a cloister to try to discipline her and to correct her faults;
the plan succeeded: "They saw me return ... wiser, and better than I
had been." Yes, more sober, better behaved, and a little less ignorant,
but not much less. The following letter, bearing the date of her
maturity, shows more clearly than all the descriptions in the world,
the degree of instructions which satisfied the seventeenth century's
ideas of the education of a princess. The letter is addressed to
Colbert ("a Choisy ce 5 Août 1665"):
Monsieur, le sieur Segrais qui est de la cademy et qui a bocoup
travalie pour la gloire du Roy et pour le public, aiant este oublie
lannee passée dans les gratifications que le Roy a faicts aux baus
essprit ma prie de vous faire souvenir de luy set un aussi homme de
mérite et qui est a moi il ya long tams jespere que cela ne nuira
pas a vous obliger a avoir de la consideration pour luy set se que
je vous demande et de une croire, monsieur Colbert, etc.
This orthography did not hinder Mademoiselle when, under the name
of "Princess Cassandane" she figured in the _Grand Dictionnaire des
Précieuses_; and according to the distinctions established between the
"true _précieuse_" and the "_Savante_" by Mademoiselle de Scudéry, she
had a right to figure there, as had many of her noble contemporaries,
who would have been the shame of the humblest of the schools.
The "true _précieuse_," she who left comets and the Greek language
to the "_Savantes_," applied herself to the task of penetrating the
mysteries of the heart. That was her science, and from certain points
of view it was worth as much as any other.
Public-domain text, read in full here on John Shaqi.
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