Lachmi Bai, Rani of Jhansi: The Jeanne D'Arc of IndiaWhite, Michael
History
Lachmi Bai, Rani of Jhansi: The Jeanne D'Arc of India
White, Michael
India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction
"Dost Ali is but a passing fancy. Forget him in the pleasure of
the moment. Drink, and thou wilt surely feel a new man before the
_Mollah's_ voice at sunrise, calls the Faithful to their devotions."
He raised his hand as a signal to an attendant, a heavy curtain was
drawn back and a group of musicians, accompanied by dancing girls
arrayed in yards upon yards of silken drapery, entered the apartment.
They advanced to the divan upon which the two nobles sat languidly
drawing from their _hookahs_ and _salaamed_ deferentially. The
musicians then seated themselves in a half circle in front of the
divan, while the girls awaited the first bars from the instruments.
Presently an inspiring air rose in the chamber, the girls assumed
individual poses, and the _natch_ commenced.
Their graceful actions, glancing steps, and sensuous attitudes,
frequently called forth words of praise from the Mohammedan; but
Prasad's gloomy thoughts remained unconquered.
"Surely thou art hard to please," remarked Ahmad, as the girls retired
for a brief rest.
"Thou knowest the distemper of my mind," replied the other sullenly.
"Aye, but wait," exclaimed Ahmad. "The jewel that shall bring fire into
thine eyes hath not yet appeared."
He again gave a signal. The curtain was once more withdrawn. Upon the
polished surface of a slab of ebony, uplifted upon the shoulders of six
stalwart _harkars_, Ganga, the star of _natch_ girls, was borne into
the room.
For a moment, even Prasad's gaze rested approvingly upon the seductive
form of the famous dancer. Her supple figure, attired in elaborately
embroidered shawls, and colored silken skirts, artistically disclosed,
one beneath another, was displayed with an effect well chosen to
captivate those whom it was her profession to enthrall. Flowers adorned
her hair. Her neck, arms, and ankles were ornamented with jeweled
trinkets.
Upon the _harkars_ halting before the divan, she raised her arms above
her head, and assumed a graceful pose. In a low, fascinating tone, she
commenced a dreamy song of love. Presently her feet caught the rhythm
of the music, and to the accompaniment of tiny silver bells attached to
the bangles on her wrists and ankles, she portrayed by her actions, in
turn, the passions of love, hope, jealousy and despair.
From time to time Ahmad uttered exclamations of satisfaction. Prasad,
in spite of himself seemed to be fascinated by her charm.
[Illustration: "Didst thou mark that languorous glance she cast on
thee"?--Page 105.]
Ahmad quickly noticed his guest's brightening humor.
"What did I tell thee," he whispered insinuatingly. "Miserable indeed
would be the man whose soul was insensible to the eyes of such a one.
Didst thou mark that languorous glance she cast on thee"?
Prasad sighed heavily.
"I grant you," he replied, "with but one exception, she hath a
matchless form. At any other time she might have made a fair
impression. Now, chains bind my soul about a thankless vision."
Public-domain text, read in full here on John Shaqi.
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