Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
Beaufort behaved very well at this crisis of domestic history. He shook
off his usual languor and became at once energetic and active. What he
said to Tom remains undisclosed, but he ‘spoke to’ the boy with great
force, and even eloquence, representing to him the ruin entailed by
certain bad habits, which--more than other vices, probably worse in
themselves--destroy a man’s reputation and degrade him among his
fellows. Though he was himself a man over-refined in his ways, he was
clever enough to seize the only motives which were likely to influence
the ruder nature of his stepson. And then he went to poor Carry, who in
this home of evil memories sat like a ghost surrounded by the
recollections of the past, and seeing for ever before her eyes the
disordered looks and excited eyes of her boy. He was not, alas! the son
of her dreams, the child whom every mother hopes for, who is to restore
the ideal of what a man should be. Many disappointments had already
taught Lady Car that her son had little of the ideal in him, and
nothing, or next to nothing, of herself; but still he was her son: and
to think of him as the rude and violent debauchee of the country-side
seemed more than she could bear. Beaufort came in upon her miserable
seclusion like a fresh breeze of comfort and hope. This was so far from
his usual aspect that the effect was doubled. Tender he always was, but
to-day he was cheerful, hopeful, full of confidence and conscious power.
‘There must be no more of this,’ he cried. ‘Come, Carry, have a little
courage. Because the boy has been a fool once--or even twice--that is
not to say that there is anything tragical in it, or that he is
abandoned to bad habits. It is probably scarcely his fault at all--a
combination of circumstances. Nobody’s fault, indeed. Some silly man,
forgetting he was a boy, persuading him out of supposed hospitality to
swallow something his young head could not stand. How was the boy in his
innocence to know that he could not stand it? It is a mere accident. My
love, you good women are often terribly unjust and sweeping in your
judgments. You must not from one little foolish misdemeanour judge Tom.’
‘Oh, Edward!’ she cried, ‘judge him! my own boy! All that I feel is that
I would rather have died than seen that look, that dreadful look, in my
child’s face.’
‘Nonsense, Carry. That is what I call judging him. You should never have
seen it, but as for rather dying---- Would Tom be the better for it if
he lost his mother, the best influence a boy can have----?’
Public-domain text, read in full here on John Shaqi.
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