Lady Sybil's Choice: A Tale of the CrusadesHolt, Emily Sarah
History
Lady Sybil's Choice: A Tale of the Crusades
Holt, Emily Sarah
Crusades -- Fiction; Historical fiction
"Did it please thee now?"
"It brought the tears into my eyes," said I, not sorry for the excuse.
"They had not far to come, had they, little one?"
I looked up, and met her soft grey eyes. And—it was very silly of me,
but—I burst into tears once more.
"It is always best to have a fit of weeping out," said she. "Thou wilt
feel better for it, my child."
"But I had—had it out—once," sobbed I.
"Ah, not quite," answered Lady Judith. "There was more to come, little
one."
"It seems so foolish," I said, wiping my eyes at last. "I do not
exactly know why I was crying."
"Those tears are often bitter ones," said Lady Judith. "For sometimes
it means that we dare not look and see why."
I thought that was rather my position. For indeed the bitter ingredient
in my pain at that moment was one which I did not like to put into
words, even to myself.
It was not that Guy did not love me. Oh no! I knew he did. It was not
even that I did not stand first in his love. I was ready to yield that
place to Lady Sybil. Perhaps I should not have been quite so ready had
it been to any one else. But—there was the sting—he did not love me as I
loved him. He could do without me.
And I could have no comfort from sympathy. Because, in the first place,
the only person whose sympathy would have been a comfort to me was the
very one who had distressed me; and in the second place, I had a vague
idea underlying my grief that I had no business to feel any; that every
body (if they knew) would tell me I was exceedingly silly—that it was
only what I ought to have expected—and all sorts of uncomfortable
consolations of that kind. Was I a foolish baby, crying for the
moon?—or was I a grand heroine of romance, whose feelings were so
exquisitely delicate and sensitive that the common clay of which other
people were made could not be expected to understand me? I could not
tell.
Oh, why must we come out of that sweet old world where we walked hand in
hand, and were all in all to each other? Why must we grow up, and drift
asunder, and never be the same to one another any more?
Was I wicked?—or was I only miserable?
About the last item at any rate there was no doubt. I sat, thinking sad
thoughts, and trying to see my work through half-dimmed eyes, when Lady
Judith spoke again.
"Helena," she said, "grief has two voices; and many only hear the upper
and louder one. I shall be sorry to see thee miss that lower, stiller
voice, which is by far the more important of the two."
"What do you mean, holy Mother?" I asked.
"Dear heart," she said, "the louder voice, which all must hear, chants
in a minor key, ’This world is not your rest.’ It is a sad, sad song,
more especially to those who have heard little of it before. But many
miss the soft, sweet music of the undertone, which is,—’Come unto Me,
and I will give you rest.’ Yet it is always there—if we will only
listen."
"But a thing which is done cannot be undone," said I.
Public-domain text, read in full here on John Shaqi.
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