American fiction -- 20th century; Detective and mystery stories
It was a “funny sticker,” round, of gold and the size and thickness of
a quarter. The back was plain, fitted with a patent clasp. On the face
was a delicate relief of two eagles, heads out. An eye, a ruby for an
iris, was in the exact centre. Below the eye were two clasped hands and
above, two crossed swords. Woven around the entire design was what he
at first took to be a snake, but discovered, on closer scrutiny, to be
a rope. It was a delicate and unusual product of the goldsmith’s art.
Lanagan puzzled over it for an hour and then concluded:
“Russian, from the eagles; emblem of a secret order, evidently, from
the eye; the clasped hands to signify that an oath has been taken and
the axe or the rope is the headsman, or the hangman, for a breach of
faith. That sounds plausible. But what particular society does it
represent?”
He placed it in his tie and was recalling what he had read about
Russian secret societies, when he was bumped violently by a short,
swarthy individual who had, unknown to him, been following. As Lanagan
straightened up he caught a quick flash, as of a message of tacit
understanding, in the other’s eyes, as he gazed straight at the pin.
In another moment a black flat wallet, thin and oblong, had been
slipped adroitly into his inside coat pocket; a word which sounded like
“scoraya” had been whispered in his ear, and the singular stranger had
departed to the street to jump aboard a passing car, and disappear
toward the ferry.
Lanagan made it a rule to be surprised at nothing, to accept nothing as
coincidence not proved so, and to ignore no trifles. He was interested;
highly interested, and he wanted to know what “scoraya” meant. That
there was a connection between the pin and the wallet was, to him,
clear. Possibly “scoraya” might help him.
In Fogarty’s back room, hard by police headquarters, he found Petroff,
Russian interpreter in the police courts.
“What does a word that sounds like ‘scoraya’ mean?” he asked.
“It means ‘hurry,’ ‘at once,’ or any such meaning. It is what you
Americans say, ‘get a move on,’” said Petroff.
Sitting apart Lanagan unfastened the black sealskin wallet and drew
out a single sheet of paper, encased in a protection of oiled skin.
There were written on the paper in a bold, strong hand, an even dozen
words; words that sent his breath whistling through his teeth. It was
in English, plain, clear, and signed by a name that gave even the
imperturbable Lanagan a mighty start.
Public-domain text, read in full here on John Shaqi.
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