'It's all luv naa, and no law. What mak' o' a gospel dun yo' co it when there's no law, no thunerins (thunderings), Mr. Morell, no leetnins? What's th' use o' a gospel wi'out law? No more use nor a chip i' porritch. Dun yo' remember that sarmon yo' once preached fro' "Jacob have I luved, but Esau have I hated"? It wur a grand un, and Owd Harry o' th' Brig went straight aat o' th' chapel to th' George and Dragon and geet drunk, 'cose, as he said, he mud as well ged drunk if he wor baan to be damned, as be damned for naught. Amos Entwistle talks abaat that sarmon naa, and tells bits on it o'er to th' childer i' th' catechism class, and then maks 'em ged it off by heart.' How long old Joseph would have continued in this strain it is hard to say, had not Mr. Morell, who did not seem to care to hear more of his pulpit deliverance of other days, silenced him by demanding the vestry keys. As the three men entered the vestry a close, damp atmosphere smote them--an atmosphere pervading all rooms long shut up from air, and with foundations fed by fattened graves. Nor was the vestry itself more inviting. Gloomy and low-ceiled, the plaster of its walls, soddened and discoloured from the moisture of the moors, lay peeling off in ragged strips, while its oozing floor of flags seemed to tell of sweating corpses in their narrow beds beneath. Through a small window, across which a spider had woven its web, a shaft of sunlight lay tremulous with the dance of multitudinous motes; and, falling on the dust-covered table, lighted up with its halo a corroded pen and stained stone jar, half filled with congealed ink. On the right of this window stood a cupboard, with its panels of dark oak, behind which lay the parchments and papers of the Rehoboth Church--parchments and papers whose inscriptions were fast fading, whose textures were fast rotting--companioning in their decay the decay of the creeds they sought to preserve and proclaim.