Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Mr. Bowker preceded his friend into the room, looked into the
pewter-pot, drained it, wiped his beard with a handkerchief; which
he took out of his hat, and said, in a solemn deep voice: "Potts, my
pipkin, how goes it?"
"Pretty well, old man, pretty well--considering the weather. And you?"
"Your William _se porte bien_. Hallo!" glancing at the easel, while
he took a pipe from his pocket and filled it from a jar on the table;
"hallo! something new! What's the subject? Who is the Spanish party in
tights? and what's the venerable buffer in the clerical get-up of the
period putting out his hand about?"
"Oh, it's a scene from _Gil Blas_, where the Archbishop of Grenada
discharges him, you know."
"No, I don't, and I don't want to hear; your William, dear boy, has
discovered that life is too short to have anything explained to him:
if he don't see it at first, he let's it pass. The young party's right
leg is out of drawing, my chick; just give your William a bit of chalk.
There--not being a patient at the Orthopaedic Hospital--that's where
his foot would come to. The crimson of the reverend gent's gown is
about as bad as anything Ive seen for a long time, dear boy. Hand over
the palette and brushes for two minutes. Your William is a rum old
skittle; but if there's one thing he knows about, it is colour." And
Charley, who knew that, with all his eccentricity, Mr. Bowker, or "your
William," as he always spoke of himself; was a thorough master of his
art, handed him what he required, and sat by watching him.
Public-domain text, read in full here on John Shaqi.
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