Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Tommy Smalt, sir?" cried Bowker, in his cheery voice; "Tommy Smalt,
sir, is in clover! Your William has been able to put Tommy on to
a revenue of at least thirty shillings a-week. Tommy is now the
right-hand man of Jacobs of Newman Street; and the best judges say that
there are no Ostades, Jan Steens, or Gerard Dows like Tommy's."
"What do you mean?--copies?"
"Copies! no, sir: originals."
"Originals!"
"Certainly! original Tenierses, of boors drinking; Wouvermanns,
not forgetting the white horse; or Jan Steens, with the
never-failing episode;--all carefully painted by Tommy Smalt and his
fellow-labourers! Ah, Jacobs is a wonderful man! There never was such
a fellow; he sticks at nothing; and when he finds a man who can do his
particular work, he keeps him in constant employment."
"Well, but is the imposition never detected? Don't the pictures look
new?"
"Oh, most verdant of youths, of course not! The painting is clobbered
with liquorice-water; and the varnish is so prepared that it cracks at
once; and the signature in the corner is always authentic; and there's
a genuine look of cloudy vacancy and hopeless bankruptcy about the
whole that stamps it at once to the connoisseur as the real thing.
Tommy's doing a 'Youth's Head' by Rembrandt now, which ought to get him
higher pay; it ought indeed. It's for a Manchester man. They're very
hot about Rembrandts at Manchester."
"Well, you've put me up to a new wrinkle. And Jacobs lives by this?"
"Lives by it! ay, and lives like a prince too. Mrs. J. to fetch him
every day in an open barouche, and coachman and footman in skyblue
livery, and all the little J.'s hanging over the carriage-doors,
rendering Newman Street dark with the shadow of their noses. Lives by
it! ay, and why not? There will always be fools in the world, thank
Heaven!--or how should you and I get on, Charley, my boy?--and so
long as people will spend money on what they know nothing about, for
the sake of cutting-out their friends, gaining a spurious reputation
for taste, or cutting a swell as 'patrons of the fine-arts,'--patrons
indeed! that word nearly chokes me!--it's quite right that they should
be pillaged and done. No man can love art in the same manner that he
can love pancakes. He must know something about it, and have some
appreciation of it. Now no man with the smallest knowledge would go
to Jacobs; and so I say that the lords and railway-men and cotton-men
who go there simply as a piece of duff--to buy pictures as they would
carpets--are deuced well served out. There! your William has not talked
so much as that in one breath for many a long day. The pewter's empty.
Send for some more beer, and let's have a damp; my throat's as dry as a
lime-burner's wig."
Public-domain text, read in full here on John Shaqi.
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