Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
He arrived at this determination in his studio; he kept it as he
walked through the streets; he wavered horribly when he came within
sight of the door; and by the time he knocked he had resolved to let
matters take their chance, and to act as occasion might suggest.
It was not Mrs. Flexor who opened the door to him, but that worthy
woman's youngest plague, Reg'las, who, with a brown eruption
produced by liquorice round his lips, nodded his head, and calmly
invited the visitor, as he would have done any one else, to "go up
'tairs." Geoffrey entered, patted the boy's head, and stopped at the
parlour-door, at which he gave a low rap, and immediately turning the
handle, walked in.
She was lying as usual on the sofa, immediately opposite the door; but,
what he had never seen before, her hair was freed from the confining
comb, and was hanging in full luxuriance over her shoulders. Great
heavens, how beautiful she looked! There had been a certain piquancy
and _chic_ in her appearance when her hair had been taken saucily off
her face and behind her ears; but they were nothing as compared to the
profound expression of calm holy resignation in that dead-white face
set in that deep dead-gold frame of hair. Geoff started when he saw
it; was it a Madonna of Raphael's, or a St. Teresa of Guido's, which
flashed across his mind? And as he looked she raised her eyes, and a
soft rosy flush spread over her face, and melted as quickly as it came.
He seated himself on a chair by her side as usual, and took her hand as
usual, the blood tingling in his fingers as he touched hers--as usual.
She was the first to speak.
"You are very early this morning. I scarcely expected you so soon--as
you may see;" and with a renewed flush she took up the ends of her
hair, and was about to twist them up, when Geoffrey stopped her.
"Leave it as it is," said he in a low tone; "it could not be better;
leave it as it is."
She looked at him as he spoke; not a full straight glance, but through
half-closed lids; a prolonged gaze,--half-dreamy, half-intense; then
released her hair, and let it again fall over her shoulders in a rich
red cloud.
"You are much better?"
"Thanks to you, very much; thanks to you!" and her little hand came out
frankly, and was speedily swallowed up in his big palm.
"No thanks at all; that is--well, you know. Let us change the subject.
I came to say--that--that--"
"You hesitate because you are afraid of hurting my feelings. I think I
can understand. I have learnt the world--God knows in no easy school;
you came to say that I had been long enough a pensioner on your
charity, and now must make my own way. Isn't that it?"
"No, indeed; not, that is not entirely what I meant. You see--our
meeting--so strange--"
"Strange enough for London and this present day. You found me starving,
dying, and you took care of me; and you knew nothing of me--not even my
name--not even my appearance."
Public-domain text, read in full here on John Shaqi.
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