When they finally arrived home that night they took a long time to
undress for bed, and then came the moment when they waited for some one
to put out the gas. Grief said at last, with the air of a man whose
brain is desperately driven: "I wonder--I--what do you suppose he was
going to paint?"
Wrinkles reached and turned out the gas, and from the sudden profound
darkness, he said: "There is a mistake. He couldn't have had pictures in
his eyes."
A STREET SCENE IN NEW YORK.
The man and the boy conversed in Italian, mumbling the soft syllables
and making little, quick egotistical gestures. Suddenly the man glared
and wavered on his limbs for a moment as if some blinding light had
flashed before his vision; then he swayed like a drunken man and fell.
The boy grasped his arm convulsively, and made an attempt to support his
companion so that the body slid to the side-walk with an easy motion
like a corpse sinking into the sea. The boy screamed.
Instantly people from all directions turned their gaze upon that figure
prone upon the side-walk. In a moment there was a dodging, peering,
pushing crowd about the man. A volley of questions, replies,
speculations flew to and fro among all the bobbing heads.
"What's th' matter? what's th' matter?"
"Oh, a jag, I guess!"
"Aw, he's got a fit!"
"What's th' matter? what's th' matter?"
Two streams of people coming from different directions met at this point
to form a great crowd. Others came from across the street.
Down under their feet, almost lost under this mass of people, lay a man,
hidden in the shadows caused by their forms, which, in fact, barely
allowed a particle of light to pass between them. Those in the foremost
rank bended down eagerly, anxious to see everything. Others behind them
crowded savagely like starving men fighting for bread. Always, the
question could be heard flying in the air. "What's th' matter." Some,
near to the body, and perhaps feeling the danger of being forced over
upon it, twisted their heads and protested violently to those unheeding
ones who were scuffling in the rear: "Say, quit yer shovin', can't yeh?
What do yeh want, anyhow? Quit!"
Somebody back in the throng suddenly said: "Say, young feller, cheese
that pushin'! I ain't no peach!"
Another voice said: "Well, dat's all right--"
Public-domain text, read in full here on John Shaqi.
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