Late Lyrics and Earlier, With Many Other VersesHardy, Thomas
General
Late Lyrics and Earlier, With Many Other Verses
Hardy, Thomas
English poetry
And so for months she replied to her Love: “No, no”;
While sorrow was gnawing her beauties ever and more,
Till he, long-suffering and weary, grew to show
Less warmth than before.
And, after an absence, wrote words absolute:
That he gave her till Midsummer morn to make her mind clear;
And that if, by then, she had not said Yea to his suit,
He should wed elsewhere.
Thence on, at unwonted times through the lengthening days
She was seen in the church—at dawn, or when the sun dipt
And the moon rose, standing with hands joined, blank of gaze,
Before the script.
She thinned as he came not; shrank like a creature that cowers
As summer drew nearer; but still had not promised to wed,
When, just at the zenith of June, in the still night hours,
She was missed from her bed.
“The church!” they whispered with qualms; “where often she sits.”
They found her: facing the brass there, else seeing none,
But feeling the words with her finger, gibbering in fits;
And she knew them not one.
And so she remained, in her handmaids’ charge; late, soon,
Tracing words in the air with her finger, as seen that night—
Those incised on the brass—till at length unwatched one noon,
She vanished from sight.
And, as talebearers tell, thence on to her last-taken breath
Was unseen, save as wraith that in front of the brass made moan;
So that ever the way of her life and the time of her death
Remained unknown.
And hence, as indited above, you may read even now
The quaint church-text, with the date of her death left bare,
In the aged Estminster aisle, where folk yet bow
Themselves in prayer.
_October_ 30, 1907.
THE MARBLE-STREETED TOWN
I REACH the marble-streeted town,
Whose “Sound” outbreathes its air
Of sharp sea-salts;
I see the movement up and down
As when she was there.
Ships of all countries come and go,
The bandsmen boom in the sun
A throbbing waltz;
The schoolgirls laugh along the Hoe
As when she was one.
I move away as the music rolls:
The place seems not to mind
That she—of old
The brightest of its native souls—
Left it behind!
Over this green aforedays she
On light treads went and came,
Yea, times untold;
Yet none here knows her history—
Has heard her name.
PLYMOUTH (1914?).
A WOMAN DRIVING
HOW she held up the horses’ heads,
Firm-lipped, with steady rein,
Down that grim steep the coastguard treads,
Till all was safe again!
With form erect and keen contour
She passed against the sea,
And, dipping into the chine’s obscure,
Was seen no more by me.
To others she appeared anew
At times of dusky light,
But always, so they told, withdrew
From close and curious sight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account