Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Several writers have stated that, in the early days of the Revolution,
Sophie’s salon became a political club and that she herself was an
enthusiastic advocate of republican doctrines. “There are beings,” wrote
Champcenetz, in the course of a brutal attack on the ex-singer which he
published in the royalist organ, _La Chronique scandaleuse_, “who would
not die content unless they had degraded themselves in every conceivable
way. Of this the aged Sophie Arnould is an example. After delivering
herself for forty years to every scoundrel of bad taste, she has now
turned demagogue, that she may receive at her house the dregs of the
human race. She has sent to study at the Jacobins the two children, with
whom a man of gallantry once presented her, through inadvertence.”[63]
That Sophie, in common with her old lover Lauraguais and others of her
aristocratic and literary friends, sympathised to a certain extent with
the Revolution--that is to say, with the Revolution in its earlier
phases--is probable enough. That, crippled as she was with debts, she
kept open house for all the turbulent spirits of her time, or carried
her partisanship so far as to endeavour to influence the opinions of
her sons, who were quite old enough to form them without any assistance
from their mother, as Champcenetz--an old enemy, by the way, of both
Sophie and Lauraguais--asserts, we beg leave to doubt. Any way, her
enthusiasm for the new order of things must have been very short-lived,
for, in 1789, her pension of 4000 livres was reduced to 2000, and from
1793 not paid at all, but, according to an entry in the Archives, “left
owing.”
In 1790, Sophie sold her house at Clichy-la-Garenne and purchased, “for
a mere song,” an old disused priory at Luzarches. Her new residence she
christened Le Paraclet, though whether she derived much comfort from the
house itself is open to question, as it was in the last stage of
dilapidation, and she had no money to spare for even the most urgent
repairs. In an amusing letter, written in 1794 to Belanger, she
describes it as “only the carcase of a house, which waits for doors and
windows until it shall please God to send me the means,” and adds that
she is “camping provisionally in the dovecot of the ancient monks.”
Her surroundings, however, appear to have afforded her some compensation
for the ruinous condition of the building. “I have a beautiful park,
containing all that it is possible to desire whether for ornament or
use; superb kitchen-garden; a vineyard, which has yielded me this year
six hogsheads of wine; a forest, a wood, an orchard, a pond well stocked
with fish, fresh air, beautiful scenery, good land. This is the fourth
year that I have been here, and I remain in the greatest solitude. But
well! I have not felt one moment’s _ennui_ since I came.”
Public-domain text, read in full here on John Shaqi.
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