Latin America: Its Rise and ProgressGarcía Calderón, Francisco
History
Latin America: Its Rise and Progress
García Calderón, Francisco
Latin America
Diplomatic conflicts arose with the United States,
Holland, England, and the Papacy.
Guzman-Blanco favoured education; he wished to see "a school in every
street." He reformed the civil and penal codes, and established
marriage and civil registers. In 1873 he renounced the dictatorship
before Congress, but the latter elected him President, and accorded
him supreme honours. Statues and streets and medals bore his name;
he was given the pompous titles of "Illustrious American" and
"Regenerator of Venezuela"; nothing could be refused him by the
servile and extravagant deputies. His statue, erected in Caracas in
1875, near that of Bolivar, glorified the Regenerator equally with
the Liberator. The popular dictator satisfied the ambitions of all;
he brought the peace desired by the oligarchs, he was the idol of the
crowds, and he attacked the Church like the liberals and free-masons.
From 1870 to 1877 the Government fostered material development by
means of the construction of railways and highways, public buildings
in the large towns, and the transformation and embellishment of
Caracas. It was said that the Dictator wished to imitate Napoleon
III. by opening up promenades and avenues. Credit prospered, the
service of the debt was assured, the public revenues increased,
orderly and economical budgets were established, and statistics
organised. The President reinforced and disciplined the army, and
intervened in the politics of the states, in defiance of federalism.
He endeavoured to found a Venezuelan Church, with {110} a liberal
archbishop and clergy elected by the faithful; he suppressed
religious congregations and converted their goods into national
property. His autocracy did not respect the powers of the outer
world; he stimulated industries by a strict protectionism. An
admirer of French art, he established museums in Venezuela.
Public-domain text, read in full here on John Shaqi.
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