Leaves from a Field Note-BookMorgan, J. H. (John Hartman)
History
Leaves from a Field Note-Book
Morgan, J. H. (John Hartman)
World War, 1914-1918 -- Personal narratives, English
"Yes, we always grease our bayonets, you know. To prevent them getting
rusty."
He was a man of few words, but in three sentences he had given me a
battle-picture as clearly visualised as a canvas of Verestchagin. The
reminiscences of the plumber provoked the paperhanger to further
recollections, more particularly the stunning effects of the French
shell-fire. He had found four dead Germans--they had been surprised by a
shell while playing cards in a billet. "They still had the cards in
their hands, monsieur, just as you see us--and they hadn't got a
scratch. They were like the statues in the Louvre."
"Yes," said the _sous-officier_, "I have seen them like that. I remember
I found a big Bosche--six feet four he must have been--sitting dead in a
house which we had shelled. His face was just like wax, and he sat there
like a wooden doll with his long arms hanging down stiff--yes! _comme
une poupee_. And I couldn't find a scratch on him--not one! And do you
know what he had on--a woman's chemise! _Ecoutez!_" he added suddenly,
and he held up a monitory hand.
Echoing down the corridor outside there came nearer and nearer the beat
of a drum and with it the liquid notes of a fife. I recognised the
measure--who can ever forget it! It stirs the blood like a trumpet. The
door was kicked open and two convalescent soldiers entered, one wearing
a festive cap of coloured paper such as is secreted in Christmas
"crackers." He was playing a fife, and the drummer was close upon his
heels.
Every one rose in his bed and lifted up his voice:
Allons! enfants de la Patrie!
A strange electricity ran through us all. The card-players had thrown
down their cards just as the plumber was about to trump an ace. The
others had tossed aside their papers and laid down their cigarettes. The
Turco--"Muley Hafid" he was called, because those were the only words of
his any one could understand--who had been deploying imaginary troops,
with the aid of matches, upon the counterpane, as though he were a sick
child playing with leaden soldiers, recognised the tune, and in default
of words began to beat time with a soup spoon. Up and down the passage
way between the beds marched the fife and drum; louder beat the drum,
more piercing grew the fife. What delirious joy-of-battle, what poignant
cries of anguish, has not that immortal music both stirred and soothed!
To what supremacy of effort has it not incited? It has succoured dying
men with its _viaticum_. It has brought fire to glazing eyes. It has
exalted men a little higher than the angels, it has won the angels to
the side of men:
Tout est soldat pour vous combattre:
S'ils tombent, nos jeunes heros,
La terre en produit de nouveaux
Contre vous tout prets a se battre.
Aux armes, citoyens! Formez vos bataillons:
Marchons, qu'un sang impur abreuve nos sillons.
Public-domain text, read in full here on John Shaqi.
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