Death -- Fiction; Friendship -- Fiction; Psychological fiction; Women novelists -- Fiction
Oh, of course, I know you don’t mean it. It’s just that you
think you ought to protest. But suppose I took you at your word?
Suppose I said that, on careful consideration, I felt that I
wanted to lead my own life instead of yours? that—how does the
list run?—my Work, my Circle of Friends, my Career, were too
much to give up for—you? What would you say—no, do? for even I,
(and the sun’s in my eyes) even I can’t call you eloquent! But
what would you do if I wouldn’t come to you?
Oh, my darling, my darling, you needn’t be afraid. I’d rather be
a door-keeper in the house of my God——
I’m changed. What have you done to me? Other people notice it.
My friends are grown critical of me. Only yesterday someone (no
one you know) sneered at me—‘In love? Oh well, you’ll get over
it. It’s a phase.’ You know, they don’t understand. I’m not ‘in
love,’ but I love you. There’s the difference. I love you. I
shall love you till I die. Till——? As if death could blot you
out for me! I used to believe in death. I used to believe it
ended everything. But now, since I’ve known you, I can never
die. You’ve poured into me an immortal spirit——”
“Go on,” breathed the Baxter girl.
“It breaks off there. It’s not signed. It was never sent.”
“She had that much wisdom, then.” The blonde lady’s laughter came to us
over Mr. Flood’s shoulder. “That’s not the letter to send to any man.
Giving herself away?—giving us all away——”
“To any man? To what man? There’s the point. You see the importance.
It’s the heart of the secret. Who is it? For whom was she ready to give
up, in her own words, name, friends, career——?”
“Well, practically she did that, didn’t she, when she married Carey? She
buried herself in the country. She didn’t write a line. You said
yourself that she put her career behind her. Why shouldn’t it be written
to Carey?”
“Oh, don’t be absurd. It’s Carey that makes it impossible. How could
Carey have written a letter needing such an answer? Little he cared.
What was her genius to him? Isn’t it obvious, isn’t it plain as print,
that Carey happened, Carey and all he stands for, _after_ the writing of
this letter, because of some hitch? Why wasn’t the letter sent? What
happened? What folly? What misunderstanding? What disillusionment? What
realization of danger?—to send her, with that letter half written, into
Carey’s arms? Carey, that stick, that ordinary man! And on the top of it
_The Resting-place_ comes out, the _cri du cœur_—or, if you like, Lila,
the satire—(for I’m beginning to believe you’re right) the satire of
_The Resting-place_. I tell you, I smell tragedy.”
“It’s supposition, it’s mere supposition,” said Miss Howe impatiently.
“Isn’t all detective work supposition to begin with? Wait till I’ve made
my book. Wait till I’ve sifted my evidence, till I’ve ranged it, stick
and brick, step by step, up, up, up, to the letter.”
Public-domain text, read in full here on John Shaqi.
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