Death -- Fiction; Friendship -- Fiction; Psychological fiction; Women novelists -- Fiction
Nobody could have stopped him. There was no flame, but the fire still
burned, a caked red and black lump, smouldering on cinders. He picked it
up—with his naked hands—thrust in the crumpled stiff paper, and smashed
it down again, so that the lump split, and still held it pressed down,
with naked hands, till the sheet had charred and shrivelled into
nothing. I suppose it all happened in a few seconds, but it seemed like
hours. I was in a train smash once: I wasn’t hurt; but I remember that I
came out of it with just the same sense of being battered and aged. This
scene I had only watched: I had not shared in it: I was still in the
little outer room. Yet I was shaken. I heard Mr. Flood call out—“Kent,
you crazy fool!” I heard Anita—“Let me _go_, Lila!” And then the women
were between me and him, and I could only see their backs, and there was
a babel of voices, and I found myself sitting like a fool, clutching at
the arms of my chair, and saying over and over again—“Oh, his hands, his
hands, his poor hands!” The tears were running down my cheeks.
But nobody noticed me. They were all too busy. The group had shifted a
little. The Baxter girl was edged out of it, and I watched her for a
moment as she sat down again, her cheeks flaming, her eyes as bright as
wet pebbles. She looked—it’s the only word—consumptive with excitement.
Every now and then she tried not to cough. I heard her saying—“It’s the
fog, it’s the awful fog!” defensively. But nobody listened. They were
all watching Anita.
Anita was dreadful. She was tremulous with anger. She was like a
pendulum with the check taken away. Her whole body shook. She couldn’t
finish her sentences. She talked to everyone at once.
Miss Howe had her by the arm. Miss Howe was trying to quiet her—
“My dear woman—steady now! You don’t want a row, you know! You’ve got
the rest of the papers.” But she might have talked to the wind.
“He comes into my house—my property—in my own house——It’s an outrage!
Kent, it’s an outrage!”
Kent Rehan rose to his feet. It was like a rock breaking through that
froth of women. He stood a moment, nervously, brushing the black from
his hands and wincing as he did so. Then he looked up. His eyes met her.
He flushed.
“Kent! Kent!” She flung off Miss Howe.
The intensity of reproach in her voice startled me, and I think it
startled him. I found myself thinking—‘All this anger for what? for a
burnt paper? It’s impossible! But then—then what’s the matter with her?’
He said awkwardly—
“I’m sorry, Anita.”
“_You!_” she cried, panting—“_You_, to interfere! D’you know what you’ve
done, what you’ve tried to do? Will you take everything, you and he?
Haven’t I my work too? Oh, what you’ve had from her, what you’ve had
from her! And now you cheat me!”
He was bewildered. He said again—
“I’m sorry, Anita.”
She came close to him. Her little hands were clenched. There was a wail
in her voice—
Public-domain text, read in full here on John Shaqi.
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