Legendary & romantic tales of Indian historyCaunter, Hobart
History
Legendary & romantic tales of Indian history
Caunter, Hobart
India -- History -- Fiction
The ceremony of the Prayatchitam, or expiation of sins, was next
performed. It consisted of prayers, after which the soul of the
deceased was evoked, and certain astrological calculations made
respecting the constellation under which he expired.
The body was now washed. On the forehead was marked the sigh of the
caste, with a compost of ochre, fine clay, and oil; it was then arrayed
in the funeral robe, and a piece of areka-nut forced into its mouth.
A small fillet of linen was next torn into strips over the face; with
those strips the two thumbs were tied, and the corpse being rubbed with
a piece of sandal-wood, which emits a very strong and fragrant odour,
was laid upon a palankeen covered with red cloth, the Hindoo pall, and
ornamented with flowers.
A large aperture was now made in the wall of the house, which had no
second story, and through this the body was conveyed in a sitting
posture to the pile, the aperture being closed up the moment the corpse
had been carried through.
When the procession had reached the gate of the court fronting the
house, it was preceded by two men nearly naked, bearing each a long
trumpet, the mournful sound of which, as dissonant as it was loud,
blended with the noise of tomtoms, finger-drums, cymbals, and various
other noisy instruments, produced a din sufficient to scare the living
into the condition of the dead. To this portentous clamour the numerous
relatives of the deceased united their wild wailings, more like the
baying of dogs than the lamentations of rational beings. Some cried,
others screamed and tore their hair, whilst several sang the praises of
the defunct in a hoarse monotonous chant. The dress of these energetic
mourners consisted simply of a single piece of cloth wrapped round
their bodies, hanging from the head to the knees.
When the procession reached its destination, the palankeen was placed
upon the ground, four furrows were traced towards the four cardinal
points and oblations of gengeli and rice were offered to those aerial
spirits supposed to inhabit the mansions of the dead, in order to
propitiate their goodwill.
The nose of the defunct was now pinched, to ascertain if there remained
any signs of life; for the Hindoos suppose that the dead may be
resuscitated, though no such fact is recorded by their fabricators of
marvels. Water was next poured upon the head of the corpse, and the
noise of tomtoms and trumpets was redoubled, to awaken the dead man
should he happen to be in a trance. It being at length ascertained
that the spirit had quitted, and not returned to the insensate clay,
the body was again placed on the palankeen and carried close to the
spot intended for the funeral pile, the immediate vicinity having been
first purified with Gangetic water, and cleared of every particle of
dirt supposed to convey defilement. This portion of the ceremony was
accompanied with numerous prayers and prostrations.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account