Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
both in name and reality, has been banished for thirty years. Yet for
all that we are in the Middle Ages. Young men assume monkish cowls,
wear the tonsure and dream of convent life. They compose legends and
perform miracle-plays, paint Madonnas and carve images of Christ,
drawing their inspiration from the magician,[2] who has bewitched
them with Tristan and Isolde, Parzival and the Holy Grail. Crusades
against Jews and Turks begin afresh; the Anti-Semites and Philhellenes
see to that. Magic and alchemy have already been re-established, and
they only wait for the first proved case of witchcraft in order to
erect a funeral pile to burn witches on. Middle Ages indeed! Witness
the pilgrimages to Lourdes, Tilli-sur-Seine, Rue Jean Goujon. Heaven
also gives the sleepy world signs to be ready. The Lord speaks through
water-spouts, cyclones, floods, and thunder-storms.
Mediæval also is the leprosy which has just appeared again, and against
which the doctors of Paris and Berlin have combined.
But they were beautiful, the Middle Ages, when men knew how to enjoy
and to suffer, when strength and love and beauty in colour, in
line, and harmony were revealed for the last time, before they were
drowned and sabred by the renaissance of heathenism which is called
Protestantism.
* * * * *
The evening has come, and I burn with desire to renew my meeting
with the Unknown, well prepared, as I now am, to confess all and to
defend myself before I am condemned. After I have taken my melancholy
meal alone I go up the Via Dolorosa, the Rue Bonaparte. This street
has never appeared to me so monstrous as this evening; the shop
windows yawn like abysses in which Christ is portrayed in many forms
--half-martyred, half-triumphant. I go on and on, while the sweat runs
in great drops down my face, and the soles of my boots burn my feet,
yet I do not seem to advance a step. Am I the Wandering Jew who refused
the Redeemer a drink of water? and am I, now that I wish to follow and
imitate Him, unable to approach Him?
Finally, and without myself knowing how, I find myself before the
Fleurus Gate, and in the next moment within the garden, which lies
there, dark, damp, and still. Immediately a gust of wind sets the
skeletons of the trees in motion, and the Unknown takes up his position
quicker as he approaches in his summer-like garment of light. With the
same smile as before he invites me to speak.
Public-domain text, read in full here on John Shaqi.
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