Legends: Autobiographical SketchesStrindberg, August
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Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
As I bring these bitter reflections to a close, the coin-cabinet
contracts, the medal retreats to a distance, and diminishes to the size
of a lead button,--and I see myself in a dormitory in a school for
boys in the country on the bank of the Malar in 1861. Children born of
unlawful unions, children of parents who had tied from their country,
badly brought-up children who in too many families were in the way,
live here together huddled in a loft, without oversight, tyrannising
over and ill-treating each other, in order to revenge themselves for
the cruelty of life. A hungry herd of little evil-doers, ill-clothed
and ill-nourished, a terror to the country people and especially to
the gardeners.
Pains of conscience follow immediately on a fall, and I see myself in
the twilight of a summer evening sitting at a table in my night-dress
with a prayer-book before me, stung by conscience and shame, although
wholly unacquainted with the nature of sin. Innocent because I was
ignorant, and yet a criminal. Led astray, and afterwards leading
others astray, suffering remorse and relapsing, doubting the justice
of my accusing conscience, and doubting the mercy of God who allows an
innocent child to be exposed to the most terrible temptations. Unhappy
victim without strength to stand first in the unequal strife with
all-powerful Nature 1 Meanwhile the infernal fire is lit which will
burn till the grave.
I burn with desire to accuse myself and to defend myself at the same
time, but there is no judgment-seat and no judge, and I devour myself
here in solitude.
As I cried out in my despair towards all quarters of heaven, I became
enveloped in a dark mist, and when I began to see again clearly I
found myself standing in the Fleurus Avenue with my head leant against
a chestnut tree. It was the third tree counting from the entrance gate,
and the avenue has forty-seven on each side. Nine seats are placed
between the trees to rest on. Thus there are forty-four halting places
for me before I reach the first Station.
For a moment I remain quite depressed, watching the path of tears
stretch before me. Suddenly under the leafless trees a ball of light
approaches, borne along by two birds' wings. It stops before me on a
level with my eyes, and in the clear light which the ball radiates I
see a white sheet of paper ornamented like a menu-card. At the top I
read in smoke-coloured letters, "Eat!" Then in a second the record of
my whole past life is enrolled like a micrographic reproduction on an
enormous placard. Everything is there! All the horrors, the most secret
sins, the most loathsome scenes in which I have played the chief part
Alas! I could die with shame as I see those scenes depicted, which my
eye, which seems to grow in size, takes in at once, without needing to
read and interpret them.
Public-domain text, read in full here on John Shaqi.
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