Bastille; Latude, Henri Masers de, 1725-1805; Mattioli, Ercole Antonio, conte, 1640-1703
After the permission to have books and to write, the most coveted favour
was that of walking exercise. Refusal of this was rare. The prisoners
might walk, either on the towers of the Bastille, or in the inner
courts, or lastly along the bastion, which was transformed into a
garden. To fresh invigorating air the platform of the towers added the
attraction of the finest view. Fontaine relates that Sacy went to the
top of the towers every day after dinner. He there walked about in
company with the officers, who gave him news of the town and the
prisoners.
In their rooms the prisoners amused themselves with feeding cats and
birds and animals of all kinds: they taught dogs tricks. Some were
allowed to have a violin or a clavecin. Pellisson was shut up with a
Basque who used to play to him on the musette. The Duke de Richelieu
boasts of the operatic airs he sang in parts with his neighbours in the
Bastille, Mdlle. de Launay among them, with her head at the bars of her
window; "we got up choruses of a sort, with fine effect."
Other prisoners killed time with embroidery, weaving or knitting; some
made ornaments for the chapel of the château. Some devoted themselves to
carpentry, turned wood, made small articles of furniture. Artists
painted and sketched. "The occupation of M. de Villeroi was somewhat
singular: he had very fine clothes, which he was for ever unpicking and
sewing together again with much cleverness." The prisoners who lived
several in one room played at cards, chess, and backgammon. In 1788, at
the time of the troubles in Brittany, a dozen noblemen of that country
were shut up in the Bastille. They lived together, and asked for a
billiard table to amuse themselves; the table was set up in the
apartments of the major, and there these gentlemen went for their games.
The prisoners who died in the Bastille were interred in the graveyard of
St. Paul's; the funeral service was held in the church of St. Paul, and
the burial certificate, bearing the family name of the deceased, was
drawn up in the vestry. It is not true that the names of the deceased
were wrongly stated in the register in order that their identity might
be concealed from the public. The Man in the Iron Mask was inscribed on
the register of St. Paul's under his real name. Jews, Protestants, and
suicides were buried in the garden of the château, the prejudices of the
period not allowing their remains to be laid in consecrated ground.
Those who were liberated had a happier fate. Their dismissal was ordered
by a _lettre de cachet_, as their incarceration had been. These orders
for their liberation, so anxiously expected, were brought by the court
"distributors of packets" or by the ordinary post; sometimes relatives
and friends themselves brought the sealed envelope, in order to have the
joy of taking away at once those whose deliverance they came to effect.
Public-domain text, read in full here on John Shaqi.
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