Married women -- Fiction; Staffordshire (England) -- Fiction
Then Patience appeared on the eminence. She was a dairymaid, and she
could not understand the philosophy prevalent in the roseate environs of
Castle Bunthorne. The audience hailed her with joy and relief. The
dairymaid and her costume were pretty in a familiar way which it could
appreciate. She was extremely young, adorably impudent, airy, tripping,
and supple as a circus-rider. She had marvellous confidence. 'We are
friends, are we not, you and I?' her gestures seemed to say to the
audience. And with the utmost complacency she gazed at herself in the
eyes of the audience as in a mirror. Her opening song renewed the
triumph of the overture. It was recognisably a ballad, and depended on
nothing external for its effectiveness. It gave the bewildered listeners
something to take hold of, and in return for this gift they acclaimed
and continued to acclaim. Milly glanced coolly at the conductor, who
winked back his permission, and the next moment the Bursley Operatic
Society tasted the delight of its first encore. The pert fascinations of
the heroine, the bravery of the Colonel and his guards, the clowning of
Bunthorne, combined with the continuous seduction of the music and the
scene, very quickly induced the audience to accept without reserve this
amazing intrigue of logical absurdities which was being unrolled before
it. The opera ceased to appear preposterous; the convention had won,
and the audience had lost. Small slips in delivery were unnoticed, big
ones condoned, and nervousness encouraged to depart. The performance
became a homogeneous whole, in which the excellence of the best far more
than atoned for the clumsy mediocrity of the worst. When the curtains
fell amid storms of applause and cut off the stage, the audience
perceived suddenly, like a revelation, that the young men and women whom
it knew so well in private life had been creating something--an
illusion, an ecstasy, a mood--which transcended the sum total of their
personalities. It was this miracle, but dimly apprehended perhaps, which
left the audience impressed, and eager for the next act.
* * * * *
'That madam will go her own road,' said Uncle Meshach under cover of the
clapping.
Leonora's smile was embarrassed. 'What do you mean?' she asked him.
He bent his head towards her, looking into her face with a sort of
generous cynicism.
'I mean she'll go her own road,' he repeated.
And then, observing that most of the men were leaving their seats, he
told Leonora that he should step across to the Tiger if she would let
him. As he passed out, leaning forward on a stick lightly clutched in
the left hand, several people demanded his opinion about the spectacle.
'Nay, nay----' he replied again and again, waving one after another out
of his course.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account